BETSY DAMON. PASSAGES: RITES AND RITUALS
Feb
29
to May 2

BETSY DAMON. PASSAGES: RITES AND RITUALS

  • Eckert Gallery at Millersville University (map)
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BETSY DAMON
PASSAGES: RITES AND RITUALS

curated by Monika Fabijanska

February 29 – May 2, 2024
Opening Reception - Thursday, February 29, 5–7 PM
Betsy Damon in conversation with Dr. Christine Filippone, 4–5 PM

Eckert Art Gallery at Millersville University
Winter Visual & Performing Arts Center
60 West Cottage Avenue
Millersville, PA 17551

Gallery hours: Tue – Sat, 12–5 PM; Thu, 12–8 PM
Closed during holidays and academic breaks

More about the exhibition

Image: Betsy Damon, 7,000 Year Old Woman, performance on Prince Street, New York, May 21, 1977. Black and white photograph, 20 x 16 in., edition of 7 + 2 AP ©Betsy Damon 1977/2021. Courtesy of the artist and Monika Fabijanska Contemporary Art Projects

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WOMEN AT WAR
Feb
29
to Apr 27

WOMEN AT WAR

  • School of Art Gallery, University of Manitoba (map)
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WOMEN AT WAR

Yevgenia Belorusets, Oksana Chepelyk, Olia Fedorova, Alena Grom, Zhanna Kadyrova, Alevtina Kakhidze, Dana Kavelina, Lesia Khomenko, Vlada Ralko, Anna Scherbyna, Kateryna Yermolaeva, and Alla Horska (1929-1970)

curated by Monika Fabijanska

February 29 - April 27, 2024
Mon-Wed, Fri 9–5 PM, Thu 9–7:30 PM
Closed all statutory holidays

Curator’s Lecture - Thursday, February 29, 12 PM CST
Opening Reception - Thursday, February 29, 5-8 PM CST
Curator’s Tour - Friday, March 1, 12 PM CST
Talk by artist Lesia Khomenko - tbd
Online conversation with Olia Fedorova & Alevtina Kakhidze - Wed., March 20, 12 PM CST

School of Art Gallery, University of Manitoba
255 ARTlab
180 Dafoe Road
Winnipeg, MB R3T 2N2
Canada

More about the exhibition

Image: Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist

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Online conversation: Olia Fedorova & Alevtina Kakhidze
Apr
11
12:00 PM12:00

Online conversation: Olia Fedorova & Alevtina Kakhidze

Monika Fabijanska, Olia Fedorova, and Alevtina Kakhidze in Conversation

Wednesday, March 20, 2024, 12 PM CST, Live-streamed

accompanying the exhibition

WOMEN AT WAR

Yevgenia Belorusets, Oksana Chepelyk, Olia Fedorova, Alena Grom, Zhanna Kadyrova, Alevtina Kakhidze, Dana Kavelina, Lesia Khomenko, Vlada Ralko, Anna Scherbyna, Kateryna Yermolaeva, and Alla Horska (1929-1970)

February 29 - April 27, 2024

School of Art Gallery, University of Manitoba
255 ARTlab
180 Dafoe Road
Winnipeg, MB R3T 2N2
Canada

More about the exhibition

Image: Olia Fedorova (L), Alevtina Kakhidze (R)

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WOMEN AT WAR - Curator's Lecture
Feb
29
12:00 PM12:00

WOMEN AT WAR - Curator's Lecture

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WOMEN AT WAR: Art in Ukraine and the question of feminist historioghraphy
Lecture by curator Monika Fabijanska

Thursday, February 29, 12 PM CST, 364 ARTlab

accompanying the exhibition

WOMEN AT WAR

Yevgenia Belorusets, Oksana Chepelyk, Olia Fedorova, Alena Grom, Zhanna Kadyrova, Alevtina Kakhidze, Dana Kavelina, Lesia Khomenko, Vlada Ralko, Anna Scherbyna, Kateryna Yermolaeva, and Alla Horska (1929-1970)

February 29 - April 27, 2024

School of Art Gallery, University of Manitoba
180 Dafoe Road
Winnipeg, MB R3T 2N2
Canada

More about the exhibition

Image: Vlada Ralko, Lviv Diary No.020, 2022, ink and watercolor on paper, 11.5 x 8.5 in ©Vlada Ralko. Courtesy of Voloshyn Gallery and Fridman Gallery

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Language and Text in Feminist Art
Feb
16
11:00 AM11:00

Language and Text in Feminist Art

  • CAA’s 112th Annual Conference at Hilton Chicago – 3rd Floor – Marquette Room (Hybrid) (map)
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LANGUAGE AND TEXT IN FEMINIST ART
Committee on Women in the Arts session
CAA’s 112th Annual Conference


Friday, February 16, 2024, 11-12:30 PM CST

Hilton Chicago – 3rd Floor – Marquette Room (Hybrid)
conference registration required

CHAIR:
Monika Fabijanska

DISCUSSANT:
Kimberly Kay Lamm, Duke University

PRESENTATIONS:
David Sperber, Hebrew Union College-JIR
“Body Text”: Feminist Art in Traditional Spheres
Nissim Gal, Haifa University
From Writing to Vision: Palestinian Female Visual Artists Shaping Feminism through Language and Text
Erin Devine, Northern Virginia Community College
Textual/Textural Translations: Recitation and Resistance in Shirin Neshat's Photographs
Iris Gilad, Duke University
Body & Type: The Relationship Between Body and Text in Contemporary Feminist Middle Eastern Art
Artist Hannan Abu-Hussein will join the session and will be available for Q&A

Image: Amira Ziyan, Jamila, 2017. Photograph, 50 x 70 cm. ©Amira Ziyan

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Closing & Performance
Jan
26
5:00 PM17:00

Closing & Performance

PERFORMING FOR YOU, FOR ME, FOR YOU

simone madison hunter

Emily Mogami
Mahira Naznin


Curated by the Curatorial Practice Class
New York University’s Visual Arts Administration Program
under the guidance of Course Instructor Monika Fabijanska 

January 6–27, 2024
Tuesday-Saturday, 12-6 PM

Public programs:

Tuesday, January 23, 5-7 PM
Exhibition Walkthrough and Artist Panel Discussion with simone madison hunter, Emily Mogami, and Mahira Naznin, moderated by co-curators Cindy Hou and Eli King

Friday, January 26, 5-7 PM
Closing reception with ongoing performative intervention by Emily Mogami and Exhibition walkthrough

80WSE Gallery
80 Washington Square East, New York, NY 10003

PRESS RELEASE
ESSAY

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Exhibition Walkthrough & Artist Panel Discussion: simone madison hunter, Emily Mogami & Mahira Naznin
Jan
23
5:00 PM17:00

Exhibition Walkthrough & Artist Panel Discussion: simone madison hunter, Emily Mogami & Mahira Naznin

PERFORMING FOR YOU, FOR ME, FOR YOU

simone madison hunter

Emily Mogami
Mahira Naznin


Curated by the Curatorial Practice Class
New York University’s Visual Arts Administration Program
under the guidance of Course Instructor Monika Fabijanska 

January 6–27, 2024
Tuesday-Saturday, 12-6 PM

Public programs:

Tuesday, January 23, 5-7 PM
Exhibition Walkthrough and Artist Panel Discussion with simone madison hunter, Emily Mogami, and Mahira Naznin, moderated by co-curators Cindy Hou and Eli King

Friday, January 26, 5-7 PM
Closing reception with ongoing performative intervention by Emily Mogami and Exhibition walkthrough

80WSE Gallery
80 Washington Square East, New York, NY 10003

PRESS RELEASE
ESSAY

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Performing For You, For Me, For You
Jan
6
to Jan 27

Performing For You, For Me, For You

PERFORMING FOR YOU, FOR ME, FOR YOU

simone madison hunter

Emily Mogami
Mahira Naznin


Curated by the Curatorial Practice Class
New York University’s Visual Arts Administration Program
under the guidance of Course Instructor Monika Fabijanska 

January 6–27, 2024
Tuesday-Saturday, 12-6 PM

Public programs:

Tuesday, January 23, 5-7 PM
Exhibition Walkthrough and Artist Panel Discussion with simone madison hunter, Emily Mogami, and Mahira Naznin, moderated by co-curators Cindy Hou and Eli King

Friday, January 26, 5-7 PM
Closing reception with ongoing performative intervention by Emily Mogami and Exhibition walkthrough

80WSE Gallery
80 Washington Square East, New York, NY 10003

PRESS RELEASE
ESSAY

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WOMEN AT WAR
Jul
13
to Oct 28

WOMEN AT WAR

  • Florida State University Museum of Fine Arts (map)
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WOMEN AT WAR

Yevgenia Belorusets, Oksana Chepelyk, Olia Fedorova, Alena Grom,
Zhanna Kadyrova, Alevtina Kakhidze, Dana Kavelina, Lesia Khomenko,
Vlada Ralko, Anna Scherbyna, Kateryna Yermolaeva,
and Alla Horska (1929-1970)

curated by Monika Fabijanska

July 13 - October 28, 2023

Florida State University Museum of Fine Arts, Tallahassee, FL

Thursday, September 28, 6 PM - Curator’s Lecture
Friday, September 29, 10 AM - Curator’s Tour
Thursday, October 12, 6 PM - Conversation with artist Lesia Khomenko

More about the exhibition

Image: Alla Horska (1929-1970), Sketch for the mosaic panel “Blooming Ukraine” for the former deli “Kyiv” in Mariupol, 1967, paper, gouache, pencil, 24 x 58.5 in. Courtesy of the Estate of Alla Horska

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Feminist Legacy Planning Workshop with Monika Fabijanska & Betsy Damon
Jul
11
6:00 PM18:00

Feminist Legacy Planning Workshop with Monika Fabijanska & Betsy Damon

Feminist Legacy Planning Workshop with Monika Fabijanska & Betsy Damon

Tuesday, July 11, 6-8 PM

Pen and Brush
29 East 22nd Street, New York, NY 10010
(212) 475-3669 info@penandbrush.org

RSVP

The workshop accompanies The Feminist Institute’s Memory Lab and Exhibition who’s afraid of feminist archives? curated by Monika Fabijanska, in collaboration with Helena Shaskevich, at Pen and Brush, June 15 - July 15.

More about the exhibition

More about The Feminist Institute’s Memory Lab

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CPAL (Center for the Preservation of Artists’ Legacies) Conference
Jun
7
1:30 PM13:30

CPAL (Center for the Preservation of Artists’ Legacies) Conference

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CPAL (Center for the Preservation of Artists’ Legacies) Conference

June 5-7, 2023

Milton Resnick and Pat Passlof Foundation
87 Eldridge Street
New York, NY 10002

June 7, 1:30-3 PM – Curating a shared Legacy Platform: Perspectives from the Field 

Moderator: Terrie Sultan, Independent Curator and Cultural Consultant and Principal Museum Strategist for Art Museum Strategies @ Hudson Ferris

Panelists | Dan Cameron, Independent Curator, Founder of Prospect New Orleans, former Senior Curator, The New Museum, Monika Fabijanska, Art Historian, Contemporary Art Curator and Art Appraiser who specializes in women's and feminist art, Corinne Erni, Lewis B. and Dorothy Cullman Chief Curator of Art and Education and Deputy Director of Curatorial Affairs, Parrish Museum, Natalie Diaz, Co-Curator, Art Omi Pavilions @ Chatham

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Women at War: Ukrainian Feminist Art Today, Art Now! Lecture Series
Mar
22
6:00 PM18:00

Women at War: Ukrainian Feminist Art Today, Art Now! Lecture Series

Women at War: Ukrainian Feminist Art Today
a guest lecture by Monika Fabijanska

Art Now! Lecture Series

March 22, 2023, 6-7:30 PM CST

Columbia College Chicago
Film Row Cinema
1104 S. Wabash, room 813
Chicago, IL 60605

REGISTER HERE

Monika Fabijanska, curator of the exhibition Women at War, will discuss the contemporary feminist art scene in Ukraine, providing a context for Russian-Ukrainian war as represented in art over the eight years of war following the annexation of Crimea and the creation of separatist Republics in Donbas in 2014. War is central to history. History has been written (and painted) by men. This presentation will provide a platform for female narrators of history and examine the perception of war as gendered. It will also be an introduction to Eastern European feminisms, which are significantly different from the Western mold, and will contribute to a conversation about how national identity is tied to the perception of women’s role in society. 

Monika Fabijanska is a New York City-based independent art historian and curator who specializes in feminist art. In 2022, she curated Women at War at Fridman Gallery. Her previous exhibitions include critically acclaimed Betsy Damon. Passages: Rites and Rituals (La MaMa Galleria, The New York Times best shows of 2021); ecofeminism(s) (Thomas Erben Gallery, 2020, featuring Lynn Hershman Leeson, Cecilia Vicuña, etc.); and groundbreaking The Un-Heroic Act: Representations of Rape in Contemporary Women’s Art in the U.S. (Shiva Gallery, John Jay College, 2018). Fabijanska’s writing has appeared in The Brooklyn Rail, Women’s Art Journal, Orońsko Sculpture Magazine, BLOK Magazine, etc. https://www.monikafabijanska.com

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Bang Geul Han: Weaving Abortion Rights, Word by Word
Feb
16
4:30 PM16:30

Bang Geul Han: Weaving Abortion Rights, Word by Word

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SESSION
Feminist Visual Activism for Reproductive Rights

at CAA’s 111th Annual Conference
New York Hilton Midtown – 2nd Floor – Madison Suite
Thursday, February 16, 2023, 4.30-6 PM

CHAIR:
Basia Sliwinska, Universidade Nova de Lisboa 

PRESENTATIONS:

Bang Geul Han: Weaving Abortion Rights, Word by Word
Monika Fabijanska

The Trouble with Showing: Visualizing Forced Pregnancy
Lauren Ashley DeLand, Savannah College of Art & Design

Thank God for Abortion: Queering and Decolonizing the Struggle for Reproductive Freedom
Vanessa Parent, University of Ottawa

 ‘You will never walk alone’: feminist contemporary visual activist practice in support of reproductive rights in Poland
Basia Sliwinska, Universidade Nova de Lisboa

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Conversation with Dorothy Kosinski, Director Emerita, The Phillips Collection and Monika Fabijanska, Curator of Women at War
Feb
8
7:00 PM19:00

Conversation with Dorothy Kosinski, Director Emerita, The Phillips Collection and Monika Fabijanska, Curator of Women at War

Conversation with Dorothy Kosinski, Director Emerita, The Phillips Collection
and Monika Fabijanska, Curator of the exhibition Women at War

Wednesday, February 8, 2023, 7 PM (in person)

Stanford in Washington, D.C.
2655 Connecticut Ave., NW
Washington, DC 20008

A program accompanying the presentation of the exhibition of Ukrainian artists Women at War at Stanford in Washington, D.C., Jan. 12 - March 21, 2023

More about the exhibition

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Women at War: Contemporary Ukrainian artists and the question of feminist historiography
Oct
26
6:00 PM18:00

Women at War: Contemporary Ukrainian artists and the question of feminist historiography

Monika Fabijanska:

Women at War: Contemporary Ukrainian artists and the question of feminist historiography

Introduced by Linda Bell, Barnard Provost

Reception to follow

Barnard College

James Room, Barnard Hall, 4th Floor

Wednesday, October 26, 2022, 6 PM

Independent art historian and the curator of the critically acclaimed exhibition Women at War, Monika Fabijanska will discuss works by leading contemporary women artists working in Ukraine, and provide a context for the current war as represented in art across media since the Russian annexation of Crimea and the creation of separatist “republics” in Donbas in 2014.

While history has largely been written – and painted – by men, this presentation will focus on women narrators of history, and will also examine gendered perspectives of war. The presentation will offer an insight into Eastern European feminisms, which are significantly different from the Western mold.

After the presentation, Dana Kavelina’s film “Letter to a Turtledove” (2020, 21 min.) will be screened, followed by the Q&A session with curator Monika Fabijanska and artist Dana Kavelina.

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Conversation about Alla Horska's (1929-1970) legacy in art and politics
Aug
17
1:00 PM13:00

Conversation about Alla Horska's (1929-1970) legacy in art and politics

Conversation about Alla Horska's (1929-1970) legacy in art and politics (virtual)
with Ukrainian art historians
Dr. Lizaveta German,
Dr. Olga Balashova,
and Evgenia Molyar
moderated by curator Monika Fabijanska

accompanying the exhibition

WOMEN AT WAR

at Fridman Gallery
169 Bowery, New York City

Wednesday, August 17, 1 PM ZOOM LINK

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Conversation with artists Zhanna Kadyrova and Alevtina Kakhidze
Aug
10
1:00 PM13:00

Conversation with artists Zhanna Kadyrova and Alevtina Kakhidze

Conversation with artists
Zhanna Kadyrova and Alevtina Kakhidze
moderated by curator Monika Fabijanska
accompanying the exhibition

WOMEN AT WAR

at Fridman Gallery
169 Bowery, New York City

Wednesday, August 10, 1 PM WATCH HERE

Zhanna Kadyrova (b. 1981 in Brovary, Kyiv oblast) works in sculpture, installation, and public art, and is a member of R.E.P. collective. Her practice focuses on the context, site and space, and often references Soviet building materials, aesthetics, and symbols that shaped Ukrainian public space. She graduated from the Taras Shevchenko State Art School. She received PinchukArtCentre Main Prize, 2013, and Special Prize, 2011, as well as the Kazimir Malevich Artist Award, the Sergey Kuryokhin Contemporary Art Award for Public Art, and the Grand Prix of the Kyiv Sculpture Project (all 2012). Kadyrova's works were featured in the 58th Venice Biennale International Art Exhibition curated by Ralph Rugoff, 2019, and twice in the Ukrainian Pavilion at the Venice Biennale, in 2015 and 2013. Her works were shown at the M17 Contemporary Art Centre, Kyiv, 2021; the Shanghai International Sculpture Project JISP, 2020; Kunsthalle Mulhouse, France, 2020; the Ludwig Museum, Budapest, 2018; Centre Pompidou, Paris, 2016; Palais de Tokyo, Paris, 2013; Bureau for Cultural Translations, Leipzig, 2016 (solo); the Kunstraum Innsbruck, Austria, 2015 (solo); Museum of Modern Art, Warsaw, 2013; the National Art Museum of Ukraine, 2010, Zacheta National Art Gallery, Warsaw, 2008; De Appel, Amsterdam, 2008; and several times at the PinchukArtCentre in Kyiv, where her first major retrospective will be held in 2023. She lived and worked in Kyiv - since March 2022, she has been displaced to rural Western Ukraine.

| kadyrova.com | instagram.com/jannkad

Alevtina Kakhidze (b. 1973 in Zhdanivka, Donetsk oblast) is an artist, performer, curator, and gardener who focuses on drawing, and social and ecofeminist practice. Since 2018, she has served as the United Nations (UNDP) Tolerance Envoy in Ukraine. Kakhidze graduated from the National Academy of Fine Arts in Kyiv, 2004, and Jan van Eyck Academie in Maastricht, 2006, and was awarded the Kazimir Malevich Artist Award in 2008. She presented her performances and lectures at the UNWomen Conference, 2020; PinchukArtCentre, Kyiv, 2019; Whitechapel Gallery, London, 2016; Manifesta 10, 2014; The State Hermitage Museum, St. Petersburg, 2015; 7th Berlin Biennale: KW Institute for Contemporary Art, 2012; and The New Theatre in the New Great World, Warsaw, 2010. Her solo exhibitions include rum24, Aarhus, Denmark, 2020; Bozar, Brussels, 2017; PinchukArtCentre, Kyiv, 2014; FUTURA Centre for Contemporary Art, Prague, 2013; and Iaspis, Stockholm, 2009. Her works were featured in group shows at the M17 Contemporary Art Center, Kyiv, 2021; Elisabeth Jones Art Center, Portland, OR, 2021; Ludwig Museum, Budapest, 2018; M HKA, Museum of Contemporary Art Antwerp, 2018; Wurttembergischer Kunstverein, Stuttgart, 2017; Kunsthall Trondheim, Norway, 2016; National Museum of Modern Art, Kyiv, 2014; CCA Zamek Ujazdowski, Warsaw, 2013; Moroccan Pavilion project at the 54th Venice Biennial, 2012; MOCAK, Krakow; Galeria Arsenał, Białystok, Poland; and Mystetskyi Arsenal, Kyiv, all 2011. Since 2009, Kakhidze has lived and worked in Muzychi village near Kyiv.

| www.alevtinakakhidze.com | instagram.com/truealevtina

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Conversation with artists Lesia Khomenko and Anna Scherbyna
Jul
27
1:00 PM13:00

Conversation with artists Lesia Khomenko and Anna Scherbyna

Conversation with artists
Lesia Khomenko and Anna Scherbyna
and special guest Ksenia Nouril (The Print Center, Philadelphia)
moderated by curator Monika Fabijanska
accompanying the exhibition

WOMEN AT WAR

at Fridman Gallery
169 Bowery, New York City

Wednesday, July 27, 1 PM WATCH HERE
Lesia Khomenko (b. 1980 in Kyiv) is a multidisciplinary artist who reconsiders the role of painting – she deconstructs narrative images and transforms paintings into objects, installations, performances, or videos. Her interest lies in revealing tools of visual manipulation in the context of history-making and myth-making. She graduated from the National Academy of Fine Art and Architecture in Kyiv, 2004. A member of R.E.P. group since 2004, she is also a co-founder of curatorial union HUDRADA, a self-educational community based on interdisciplinary cooperation, 2008. Khomenko is an initiator and program director of the “Contemporary Art” course at the Kyiv Academy of Media Arts. Her works were shown in many exhibitions, including at the Lviv Municipal Art Center, 2021 (solo); PinchukArtCentre, Kyiv, 2018 (solo); MNAC, Bucharest, 2016; The Museum of Contemporary Art Kiasma, Helsinki, 2015; CCA Zamek Ujazdowski, Warsaw, 2014; The Future Generation Art Prize@Venice2013; Kyiv Biennial 2012 (main project); National Art Museum of Ukraine, 2012; Mystetskyi Arsenal, Kyiv, 2011 (solo); Kalmar Konstmuseum, Sweden, 2011; White Box, New York, 2010; MUMOK, Vienna, 2009; Zacheta National Gallery of Art, Warsaw, 2008; De Appel, Amsterdam, 2008; Ukrainian pavilion at Venice Biennale, 2007 (a collaboration with Mark Titchner); and Kunsthalle Vienna, 2006. She was a finalist of the Pinchuk Art Prize in 2009, 2011, and 2013, and a 2016 finalist of the Kazimir Malevich Award, Kyiv. She lives and works in Kyiv - since March 2022, she has temporarily been in the West.

| lesiakhomenko.com | instagram.com/lesia_khomenko

Anna Scherbyna (b. 1988 in Zaporizhzhia) is artist, curator, and illustrator. Her artistic practice examines the critical potential of mediums such as installation and video, drawing and painting, exploring the visual traditions of Ukraine’s painting school, political aspects of a landscape, historical memory, and gender performativity. She graduated from the National Academy of Visual Art and Architecture (2015) and Contemporary Art Course (2015). She participated in numerous exhibitions and projects, including The Portal, VBKÖ, Vienna, 2021; Armed and Dangerous, 2019; A Space of One’s Own, Pinchuk Art Centre, Kyiv, 2017; Edenia, the city if the future, Kharkiv, 2017; Socialist Realism. Seeming to Be Another, Kyiv, 2017; TEXTUS. Embroidery, textile, feminism, Kyiv, 2017; In a shelter, Paris, 2015.

Scherbyna’s curatorial practice is driven by the feminist approach to building artistic communities and collaborations. As a member of curatorial groups, she organized a reading club for artists and theoreticians Chytanka (2020), international feminist exhibition The Cave of the Golden Rose, Kyiv, 2019, and Sabber, Deer and Spining Wheel in Stanica Luhanska, 2018. She was a co-founder of the Concrete Dates Collective (2015–17), and a member of the art-group “Iod” (2013–15). Since 2009, she has lived and worked in Kyiv; and since March 2022 in Germany.

| scherbynaanna.com | instagram.com/annascherbynaaaa

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Conversation with artists  Dana Kavelina and Olia Fedorova
Jul
13
1:00 PM13:00

Conversation with artists Dana Kavelina and Olia Fedorova

Conversation with artists
Dana Kavelina and Olia Fedorova
moderated by curator Monika Fabijanska
accompanying the exhibition

WOMEN AT WAR

at Fridman Gallery
169 Bowery, New York City

Wednesday, July 13, 1 PM WATCH HERE

Olia Fedorova (b. 1994 in Kharkiv) is a conceptual artist who works with performance, photography, video, and text. She graduated from the Kharkiv State Academy of Design and Fine Arts in 2016. She was the winner of the Nathan Altman Contemporary Visual Art Contest, Vinnytsia, 2017; a finalist of Ukrainian Biennale of Young Art, Kharkiv, 2019; and MUHi (Young Ukrainian Artists), Kyiv, 2017. Solo exhibitions include: Municipal gallery, Kharkiv, 2021, 2017; Contemporary Art Center Tea Factory, Odessa, 2017; and several galleries in Kharkiv, Kyiv, and Dnipro. Group exhibitions include Eye/View II organized by Videocity, Electronic Billboard at the Congress Center Basel, 2022; Association for Contemporary Art, Graz, 2020; Brüdershaft project, supported by the German Embassy in Ukraine (Kyiv, Kharkiv, Dnipro), 2020; International Winter Land Art Festival Mythogenesis (Nemyriv, Ukraine, 2017-2020; and Museum of Ideas, Lviv, 2017. Fedorova participated in many artist residency programs, including in Mariupol, Ukraine; in the UK, Austria, Germany, and Poland; as well as online during the covid-19 pandemic, including Co-iki Arts Living Space (Tokyo), and American Art Incubator residency (Isolation Fund, Kyiv/Zero1, San-Francisco). Fedorova lives and works in Kharkiv – since May 2022, she has been a refugee in Graz, Austria.

| oliafedorova.com | instagram.com/olia_off

Dana Kavelina (b. 1995 in Melitopol) works primarily with animation and video, but also installation, painting and graphics. She graduated from the Department of Graphics at the National Technical University of Ukraine. Her works often address military violence and war, seen from gender perspective—especially with regard to the position of a victim as a political subject—as well as the distance between historical and individual trauma, and memory and misrepresentation. Her works were exhibited at the Museum Folkwang Essen, 2022; MAXXI – Museo nazionale delle arti del XXI secolo, Rome, 2022; Zionskirche, Berlin, 2022; Kristianstad Kunsthalle, Sweden, 2021; Kmytiv Museum of Soviet Art, Ukraine, 2019; and Closer, Kyiv, 2019. Kavelina’s films were screened at the Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Turin, 2022; HKW, Berlin, 2022; ICA LA, Los Angeles, CA, 2022; The Museum of Modern Art, New York, NY, 2022; and e-flux, New York, NY, 2021. Her animated film Mark Tulip, who spoke with flowers received the Special Jury Mention at the 2019 Odessa International Film Festival, and the Grand Prix of the 2018 KROK animation festival, Kyiv. Kavelina was based in Kyiv and Lviv, Ukraine; since March 2022, she has been a refugee in Germany.

| instagram.com/frau.hiroshima

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A Conversation with Bang Geul Han
May
13
1:30 PM13:30

A Conversation with Bang Geul Han

CLOSING CONVERSATION: "IF YOU GRIND THE THRESHOLD OF THREE OTHER HOUSES"
Friday, May 13, 2022 | 1:30 - 2:30 PM

Join us via Zoom for a special conversation between artist Bang Geul Han and curator Monika Fabijanska next Friday, May 13 at 1:30 pm as part of a closing event for Han’s solo exhibition “If You Grind the Threshold of Three Other Houses.”

In light of the recent Supreme Court leak overturning Roe v. Wade, the conversation will focus on Han’s recent works exploring the intersections of reproductive rights, abortion law, and questions of race and class, in relation to wider questions of relationships between text, desire, power, and representation.

To register for this online conversation, click the link HERE.

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Betsy Damon: Water Talks - book launch
Apr
6
7:00 PM19:00

Betsy Damon: Water Talks - book launch

Betsy Damon: Water Talks
PREORDER HERE

Book launch: Betsy Damon in conversation with
John-Scott Legg, the Director of SteinerBooks


Wednesday, April 6, 7 PM

La MaMa Galleria
47 Great Jones Street
New York, NY 10003
tel. 212.505.2476

“I have lived on Planet Earth for eighty-three years. I have seen so much change, and that includes advances in living standards for millions of people on the one hand, and the increasing destruction of the environment on the other. Somehow, we must find a middle path. This is why Betsy wrote this book. All people need to be empowered to know their waters and to take charge of lifesaving decisions.”
—Dr. Jane Goodall, DBE

“As living systems, we are interconnected, reliant on our environment for the air we breathe and the water that sustains us. Damon identifies the barriers to clean water, but simultaneously offers the tools needed to create change and clarifies the key role artists play in the process.”
—Christine Filippone, Ph.D., Terra Smithsonian Senior Fellow, Smithsonian American Art Museum

In Water Talks, artist Betsy Damon offers much-needed wisdom on water we all can benefit from, whether you are an artist, a scientist, or an engineer. Damon has worked over the course of her 40 year-long career with communities around the world across geopolitical and cultural boundaries on water. The book is a great combination of empirical knowledge and exciting scientific information on water; it offers numerous examples, both accessible and practical, of planning, designing, and implementing community-based projects on water. I find this book an absolute must-have in educating, transforming, inspiring, and mentoring the next generation.
—Dr. Changwoo Ahn, Professor, Environmental Science and Policy, George Mason University

“Of the many things that humans take for granted—the sun, the wind, the soil—water, as Betsy Damon beautifully states in so many ways, is the thread that binds all life systems from sociological to ecological.”
—Pliny Fisk, founder and director of Center for Maximum Potential Building Systems

“Betsy Damon shows us that the road to awareness and action always begins with listening and connectivity.”
—Julie Reiss, Editor, Art, Theory and Practice in the Anthropocene (2019)

MORE ON BETSY DAMON

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The Radical Outdoors: Betsy Damon’s feminist performances and eco-justice collaborations in the U.S. and China
Mar
4
12:00 PM12:00

The Radical Outdoors: Betsy Damon’s feminist performances and eco-justice collaborations in the U.S. and China

Session The Radical Outdoors: Betsy Damon’s feminist performances and eco-justice collaborations in the U.S. and China
Session ID #9460
Chairs: Monika Fabijanska, Independent Art Historian and Curator
Dr. Christine A. Filippone, Millersville University
2022 College Art Association Annual Conference
Friday, March 4, 2022, 12:00 PM - 1:30 PM (online only)

Presenters:
Monika Fabijanska, Independent Curator
Out In the Open: Betsy Damon’s Street Performances and Transnational Social Practice
Petra Poelzl, Independent Researcher, Vienna, Austria
The reception and impact of Betsy Damon’s Keepers of the Waters in China (1995) and Tibet (1996)
Dr. Christina Filippone, Millersville University, US
From Social Justice to Eco-Justice: Feminist Collaboration in the Work of Betsy Damon
Rong Xie, Independent Artist, London UK
A Journey with Water: Betsy Damon in China

Abstract:

Lucy Lippard jokingly called artists who deal with pollution and waste “Garbage Girls.” These ecofeminists challenged the definition of art and proposed a truly radical genre – the art of repairing environmental damage. Betsy Damon has worked globally to preserve living water using social justice tools: activism and community-building, both central to her feminist practice since the 1970s. A leader among lesbian activists in New York City, she co-edited the third issue of Heresies, Lesbian Art and Artists (1977). Her early performance work addressed the erasure of women’s narratives from history and their unspeakable subjects: mutilation and rape. Performing outdoors in the streets, her collaborative approach, and engagement with transnational feminism, all informed her social practice focused on water. In the mid-1990s, she organized Keepers of the Waters, collaborative public performances with local artists in China and Tibet. An early example of transcultural socially engaged art, Keepers of the Water left an indelible mark on avant-garde art in South-West China and led to her award-winning eco-art project Living Water Garden in Chengdu, a six-acre city park demonstrating water purification through natural processes.

Betsy Damon is among the most relevant pioneer feminist artists today and there is a growing interest in her practice globally. Papers in this session will discuss Damon’s feminist collaboration (Dr. Christine Filippone) and radical outdoor performance (Monika Fabijanska) as the basis for later projects of social practice and eco-justice. Petra Poelzl’s paper and Rong Xie’s film will consider Damon’s influence on generations of Chinese artists and activists.

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Conversation with Cecilia Vicuña as part of Flaherty Seminar Program 3
Dec
5
7:30 PM19:30

Conversation with Cecilia Vicuña as part of Flaherty Seminar Program 3

OF CREATION /
OF POTENTIAL
Flaherty Seminar Program 3
Moderated by Monika Fabijanska
In conversation with artist Cecilia Vicuña

Sunday, December 5, 2021 7:30pm

UnionDocs
322 Union Ave
Brooklyn, NY 11211
ticket info coming soon!

PROGRAM 3

350 MYA (2016) by Terra Long, 5’, 16mm
Becoming Extinct (Wild Grass) (2017) by Elke Marhöfer, 23’, 16mm to digital
Kon Kon (2010) by Cecilia Vicuña, 54’, Digital

TRT: 82 mins

When the land is exhausted and the sea is poisoned and species are dying off, how can the earth communicate its needs and pass on its knowledge of growth and survival for the future? The filmmakers in this program look towards the earth with sensualist and materialist eyes, seeking to discover ancient ways of communing with the natural elements and creating new ways of being and perceiving through film. As Cecilia Vicuña writes, “To recover memory is to recover unity: / To be one with the sky and the sea / To feel the Earth as your own skin / is the only way to pleasure Her.” Immersed in this pleasure, the earth communes with the human, and through our participation, transforms us.

2021 Flaherty NYC Programmers: Kelsey White and L u m i a

More information

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Betsy Damon's performance Listen, Respect, Revere (1986)
Oct
27
7:00 PM19:00

Betsy Damon's performance Listen, Respect, Revere (1986)

Betsy Damon
Performance Listen, Respect, Revere (1986)
Wednesday, October 27, 7 PM 
(door opens at 6) RSVP

The gallery will open at 6 PM to allow guests to view the show before the event. Masks and the proof of vaccination with ID (for those over the age of 12) are required to enter the gallery. 

La MaMa Galleria
47 Great Jones Street
New York, NY 10003
tel. 212.505.2476

Listen, Respect, Revere
, which articulated a perspective about humans in an oppressive society, was performed only once – at New York’s Brecht Forum in 1986. In this narrative piece, with text written by Betsy Damon and choreography for two costumed dancers, all performed to a drumbeat, the artist questions traditional gender roles, while offering a semantic analysis of some basic elements and concepts of her performance practice: stones, as well as listening, reverence, and respect. It will be re-performed by Betsy Damon herself and a group of artists, in a version enhanced by the artist for the present, on October 27, 7 PM at the La MaMa Galleria. RSVP is essential.

Readers: Betsy Damon, Maya Ciarrocchi
Dancers: Antoine Stanley, Christina Sun
Drummer: Nicole Peyrafitte

This performance accompanies the exhibition Betsy Damon. Passages: Rites and Rituals at the La MaMa Galleria through November 21, 2021 (Thu-Sun, 1-7 PM).

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Betsy Damon in conversation with Monika Fabijanska
Oct
20
7:00 PM19:00

Betsy Damon in conversation with Monika Fabijanska

Betsy Damon in conversation with Monika Fabijanska
Wednesday, October 20, 7 PM 
(door opens at 6)
The gallery will be open from 6 PM to allow guests to view the show before the event.

Masks and the proof of vaccination with ID (for those over the age of 12) are required to enter the gallery.

The conversation will also be streamed on Instagram Live @lamamagalleria

La MaMa Galleria
47 Great Jones Street
New York, NY 10003
tel. 212.505.2476

A rare opportunity to hear Betsy Damon discuss her early performance practice, this conversation accompanies the exhibition Betsy Damon. Passages: Rites and Rituals at the La MaMa Galleria through November 21, 2021 (Thu-Sun, 1-7 PM).

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Betsy Damon. Passages: Rites and Rituals
Oct
14
to Nov 21

Betsy Damon. Passages: Rites and Rituals

Betsy Damon. Passages: Rites and Rituals
curated by Monika Fabijanska

opening: October 14, 2021, 6-8 PM
La MaMa La Galleria
47 Great Jones Street
New York, NY 10003

The documentation of Betsy Damon’s performance practice from 1976-1986
will be shown for the first time since the 1980s.

Image: Betsy Damon, 7,000 Year Old Woman, performance at Cayman Gallery, New York, March 21, 1977. Archival print ©Betsy Damon 1977/2021. Courtesy of the artist

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Sexual Violence and Visual Culture roundtable @ NWSA Conference
Sep
17
11:00 AM11:00

Sexual Violence and Visual Culture roundtable @ NWSA Conference

Sexual Violence and Visual Culture
An Online Roundtable

National Women’s Studies Association Annual Conference
Fri, Sep 17, 11:00 am – 12:15pm EDT

This roundtable brings together participants whose work has engaged with the subject off sexual violence. The aim is to provide varied perspectives on what it means to write about, create, exhibit, or look at images off rape from a transnational intersectional feminist perspective. Some off the central questions driving the discussion include: What would a feminist image off rape look like? What are some off the ethical considerations involved in making or viewing art about rape? Within distinct socio--cultural contexts, how are particular subjects made legible, or not, ass victims or perpetrators off rape? How can art disrupt these narratives?

Presenters

Joanna Gardner-Huggett, DePaul University
Angelique Szymanek, Hobart & William Smith College
Karen Cordero Reiman, Universidad Iberoamericana (retired)
Aaron C. Thomas, Florida State University
Monika Fabijanska, Art Historian and Independent Curator

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