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Monika Fabijanska

  • About
  • WOMEN AT WAR
  • BETSY DAMON
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    • THE UN-HEROIC ACT
    • ecofeminism(s)
    • who is afraid of feminist archives?
    • Other Projects
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Helène Aylon, The Earth Ambulance, 1982 (detail)

ecofeminisms - images gallery

ecofeminisms - images gallery

Helène Aylon, The Earth Ambulance, 1982 (detail)

Helène Aylon, The Earth Ambulance, 1982 (detail)

Inkjet pigment print, 11 x 8-1/2 in (sheet)
©Estate of Helène Aylon. Courtesy Leslie Tonkonow Artworks + Projects

Helène Aylon, The Earth Ambulance, 1982 (detail)

Helène Aylon, The Earth Ambulance, 1982 (detail)

Text panel, Inkjet pigment print, 11 x 8-1/2 in (sheet)
©Estate of Helène Aylon, Courtesy Leslie Tonkonow Artworks + Projects

Andrea Bowers, Feminist Spirituality and Magical Politics Scrapbook, 2003

Andrea Bowers, Feminist Spirituality and Magical Politics Scrapbook, 2003

Photocopy on paper, 33 1/4 x 42 3/4 in (84.5 x 108.5 cm)
Courtesy of the artist and Andrew Kreps Gallery

Andrea Bowers, Climate Change is Real (Multiple), 2017

Andrea Bowers, Climate Change is Real (Multiple), 2017

Neon, MDO, paint, 20 3/4 x 57 in (52.7 x 144.8 cm). Edition 3 of 10, with 2 APs
Courtesy of the artist and Andrew Kreps Gallery 

Betsy Damon, The Memory of Clean Water, 1985

Betsy Damon, The Memory of Clean Water, 1985

©Betsy Damon. Courtesy of the artist

Agnes Denes, Rice/Tree/Burial: Preparations for the Rice Field with Irrigation System, 1977/2020

Agnes Denes, Rice/Tree/Burial: Preparations for the Rice Field with Irrigation System, 1977/2020

one of three ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 AP
©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects

Agnes Denes, Rice/Tree/Burial: Chaining the Sacred Forest, 1977/2020

Agnes Denes, Rice/Tree/Burial: Chaining the Sacred Forest, 1977/2020

one of three ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 AP
©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects

Agnes Denes, Rice/Tree/Burial: Burial of the Time Capsule, 1979/2020

Agnes Denes, Rice/Tree/Burial: Burial of the Time Capsule, 1979/2020

one of three ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 AP
©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects

Eliza Evans, All the Way to Hell, 2020 (detail)

Eliza Evans, All the Way to Hell, 2020 (detail)

Mixed media and mineral deed, size: 9 ft x 5 x 5 in and 11 x 8.5 in ©2020 Eliza Evans. Courtesy of the artist

Eliza Evans, All the Way to Hell, 2020-ongoing

Eliza Evans, All the Way to Hell, 2020-ongoing

Mineral rights, law, bureaucracy, size: 3 acres x 4,000 miles (depth). Edition: 1,000 mineral properties
©2020 Eliza Evans. Courtesy of the artist

Eliza Evans, All the Way to Hell, 2020-ongoing

Eliza Evans, All the Way to Hell, 2020-ongoing

Mineral rights, law, bureaucracy, size: 3 acres x 4,000 miles (depth). Edition: 1,000 mineral properties ©2020 Eliza Evans. Courtesy of the artist

Bilge Friedlaender, Heart Nests III, 1977

Bilge Friedlaender, Heart Nests III, 1977

Beeswax, wire, string, pigment, 10 x 7 x 3 in (25.4 x 17.78 x 7.62 cm)
©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender

Bilge Friedlaender, Cedar Forest, 1989 (detail of the work)

Bilge Friedlaender, Cedar Forest, 1989 (detail of the work)

Nine freestanding handmade linen paper sculptures, variable dims: 34 in. (86.36 cm)
©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender

Bilge Friedlaender, Cedar Forest, 1989 (installed in nature)

Bilge Friedlaender, Cedar Forest, 1989 (installed in nature)

Nine freestanding handmade linen paper sculptures, variable dims: 34 in. (86.36 cm)
©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender

Lynn Hershman Leeson, Twisted Gravity, 2020

Lynn Hershman Leeson, Twisted Gravity, 2020

Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable.
Edition 3 + 1 AP
Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses. Originally commissioned by Margot Norton, The New Museum
©Hotwire Productions LLC 2020

Lynn Hershman Leeson, Twisted Gravity, 2020

Lynn Hershman Leeson, Twisted Gravity, 2020

Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable.
Edition 3 + 1 AP
Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses. Originally commissioned by Margot Norton, The New Museum
©Hotwire Productions LLC 2020

Lynn Hershman Leeson, Twisted Gravity, 2020

Lynn Hershman Leeson, Twisted Gravity, 2020

Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable.
Edition 3 + 1 AP
Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses. Originally commissioned by Margot Norton, The New Museum
©Hotwire Productions LLC 2020

Sonya Kelliher-Combs, Mark, Polar Bear, 2019

Sonya Kelliher-Combs, Mark, Polar Bear, 2019

Acrylic polymer, polar bear fur, fabric flag, metal brackets, 40 x 65 in
©2019 Sonya Kelliher-Combs. Courtesy of the artist and Minus Space

Barbara Kruger, We Won’t Play Nature to Your Culture, 1983

Barbara Kruger, We Won’t Play Nature to Your Culture, 1983

Book cover, 11.82 x 8.27 x 0.2 in (30 x 21 x 0.5 cm)
Softcover catalogue of the exhibition, Barbara Kruger: We Won’t Play Nature to Your Culture
Authors: Barbara Kruger, Iwona Blazwick, Sandy Nairne, Craig Owens, Jane Weinstock
Publishers: London: Institute of Contemporary Arts, Basel: Kunsthalle ©1983

Carla Maldonado, Dystopia of a Jungle City, and the Human of Nature, 2019

Carla Maldonado, Dystopia of a Jungle City, and the Human of Nature, 2019

Digital video with sound, 31 min. Edition of 3 + AC
In collaboration with Cipiá Indigenous Community Center, Manaus, AM, Brazil
©2019 Carla Maldonado. Courtesy of the artist

Mary Mattingly, Life of Objects, 2013

Mary Mattingly, Life of Objects, 2013

Archival Pigment Print, 30 x 30 in. Edition 5/5
©Mary Mattingly. Courtesy of Robert Mann Gallery

Mary Mattingly, The Damned (Titian, again), 2013

Mary Mattingly, The Damned (Titian, again), 2013

Archival Pigment Print, 30 x 30 in. Edition 2/5
©Mary Mattingly. Courtesy of Robert Mann Gallery

Mary Mattingly, Microsphere: A Breathed Commune, 2012

Mary Mattingly, Microsphere: A Breathed Commune, 2012

Archival Pigment Print, 30 x 30 in. Edition 4/5
©Mary Mattingly. Courtesy of Robert Mann Gallery

Mary Mattingly, Swale, 2017

Mary Mattingly, Swale, 2017

Archival Pigment Print, 30 x 30 in. Edition 1/5
©Mary Mattingly. Courtesy of Cloudfactory and Robert Mann Gallery

Ana Mendieta, Bacayu (Esculturas Rupestres) [Light of Day (Rupestrian Sculptures)], 1981/2019

Ana Mendieta, Bacayu (Esculturas Rupestres) [Light of Day (Rupestrian Sculptures)], 1981/2019

Black and white photograph, 40 x 55 in (101.6 x 139.7 cm). Edition 2 of 3 with 2 AP
© The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong & Co., Licensed by Artists Rights Society (ARS), New York

Aviva Rahmani, Physical Education, 1973

Aviva Rahmani, Physical Education, 1973

Performance documentation: slide projection
©Aviva Rahmani. Courtesy of the artist

Jessica Segall, Fugue in B Flat, 2016

Jessica Segall, Fugue in B Flat, 2016

piano, honeybees, audio, approx. 5' x 4' x 1'
©2016 Jessica Segall. Courtesy of the artist

Jessica Segall, A Thirsty Person, Having Found a Spring, Stops to Drink, Does Not Contemplate Its Beauty, 2011

Jessica Segall, A Thirsty Person, Having Found a Spring, Stops to Drink, Does Not Contemplate Its Beauty, 2011

Performance / video still, Archival Print. Edition 3 and AP
©2011 Jessica Segall. Courtesy of the artist

Hanae Utamura, Wiping the Sahara Desert, 2010

Hanae Utamura, Wiping the Sahara Desert, 2010

from Secret Performance Series, 2010-2013
HD Video, 2:04 min, Sahara Desert, Tunisia
Edition of 3 + 1AP + 1EP
©2010 Hanae Utamura. Courtesy of the artist

Cecilia Vicuña, Tres elementos (Precarios), 2014

Cecilia Vicuña, Tres elementos (Precarios), 2014

Mixed media, 6.875 x 5.75 x 0.25 in (17.5 x 14.6 x 0.6 cm)
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul

Cecilia Vicuña, Bola de cable (Precarios), 2014

Cecilia Vicuña, Bola de cable (Precarios), 2014

Mixed media, 5.75 x 6 x 4.675 in (14.6 x 15.2 x 11.9 cm) Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul

Cecilia Vicuña, Untitled (Precarios), Date tbd

Cecilia Vicuña, Untitled (Precarios), Date tbd

Mixed media, 12 x 34.25 x 0.125 in (30.5 x 87 x 0.3 cm) Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul