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      <image:title>The Un-Heroic Act - installation shots - 4_Kathleen Gilje, Susanna and the Elders, Restored, 1998-2018, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 5_Kathleen Gilje, Susanna and the Elders, Restored, 1998-2018, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 6_Kathleen Gilje, Susanna and the Elders, Restored, 1998-2018, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 7_Works by Kathleen Gilje and Carolee Thea, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 8_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 9_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 10_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 11_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 12_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo XXXBill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 13_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 13a_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 14_Installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 15_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541596696-DM9JKMGVM0C2MYGW9HDV/016_Suzanne+Lacy%2C+Three+Weeks+in+May%2C+1977-2014%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Jerzy+Warman.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 16_Suzanne Lacy, Three Weeks in May, 1977-2014, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 17_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 18_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 19_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541606829-8J21H87I1598RG0V114J/020_Works+by+Jennifer+Karady+and+Senga+Nengudi%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 20_Works by Jennifer Karady and Senga Nengudi, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541612562-A7QTRD2DAH1AMTHDQNHH/021_Jennifer+Karady%2C+Former+Specialist+Brittny+Gillespie...%2C+2014%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 21_Jennifer Karady, Former Specialist Brittny Gillespie..., 2014, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 21a_Jennifer Karady, Former Specialist Brittny Gillespie..., 2014, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo M Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541619142-XVWDCFNCQWTOKFFIXLMC/022_Senga+Nengudi%2C+R.S.V.P.+Revisited+-+Underwire%2C+1977-2004%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 22_Senga Nengudi, R.S.V.P. Revisited - Underwire, 1977-2004, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541617710-8ZFHUZD16VB7DD2UUUNZ/023_Senga+Nengudi%2C+R.S.V.P.+Revisited+-+Underwire%2C+1977-2004%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 23_Senga Nengudi, R.S.V.P. Revisited - Underwire, 1977-2004, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 24_Installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 25_Jenny Holzer, Untitled (Selections from Lustmord), 1994, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541628031-I2WHQ15AJ1HHTBVGTWIT/026_Jenny+Holzer%2C+Untitled+%28Selections+from+Lustmord%29%2C+1994%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 26_Jenny Holzer, Untitled (Selections from Lustmord), 1994, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541632768-9O4XDS5AQ3MVUMTU7QLM/027_Jenny+Holzer%2C+Untitled+%28Selections+from+Lustmord%29%2C+1994%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 27_Jenny Holzer, Untitled (Selections from Lustmord), 1994, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541632772-110XJGE3JRYK5OAS0SNT/028_Ana+Mendieta%2C+Rape+Scene%2C+1973%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 28_Ana Mendieta, Rape Scene, 1973, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541641389-S840LAK8UOZR52P6B1DG/029_Ana+Mendieta%2C+Rape+Scene%2C+1973%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 29_Ana Mendieta, Rape Scene, 1973, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 30_Angela Fraleigh, lonelily loomed into bone, 2011, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541645895-O5WPW0J9GC5JFZIFQYY2/031_Angela+Fraleigh%2C+lonelily+loomed+into+bone%2C+2011%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 31_Angela Fraleigh, lonelily loomed into bone, 2011, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 32_Angela Fraleigh, lonelily loomed into bone, 2011, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 33_Bang Geul Han, Through the Gaps between My Teeth, 2017, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 34_Bang Geul Han, Through the Gaps between My Teeth, 2017, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 35_Bang Geul Han, Through the Gaps between My Teeth, 2017, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 36_Works by Bang Geul Han and Kara Walker, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 37_Kara Walker, Untitled, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541676736-EXTR645Q517JSU5PO2ZG/038_Kara+Walker%2C+Untitled%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 38_Kara Walker, Untitled, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541678009-E0P7Q3OKZLDYDG79NXFA/039_Naima+Ramos+Chapman%2C+And+Nothing+Happened%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 39_Naima Ramos Chapman, And Nothing Happened, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 40_Naima Ramos Chapman, And Nothing Happened, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 41_Works by Lynn Hershman, Yoko Ono and Ada Trillo, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 42_Ada Trillo, Claudia, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 43_Ada Trillo, Claudia, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 44_Works by Lynn Hershman Leeson and Yoko Ono, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 46_Lynn Hershman Leeson, First Person Plural, 1988, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 47_Lynn Hershman Leeson, First Person Plural, installation view, 1988, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 48_Roya Amigh, The Coerced Contact, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 49_Roya Amigh, The Coerced Contact, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 50_Roya Amigh, The Coerced Contact, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 51_Roya Amigh, The Coerced Contact, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 52_Sonya Kelliher-Combs, Guarded Secrets, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 53_Sonya Kelliher-Combs, Guarded Secrets, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 54_Sonya Kelliher-Combs, Guarded Secrets, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 55_Sonya Kelliher-Combs, Guarded Secrets, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 56_Andrea Bowers, Rape Wrong, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 57_Andrea Bowers, Rape Wrong, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 58_Guerrilla Girls, If You’re Raped, 1992, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 60_Works by Sonya Kelliher-Combs and Natalie Frank, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 61_Natalie Frank, Little Red Cap II, 2011, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 62_Carolee Thea, Sabine Woman, 1991, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 63_Carolee Thea, Sabine Woman, 1991, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - public programs - Monika Fabijanska, Ada Trillo, Shonna Trinch, Bill Pangburn, Jennifer Karady, Christine Clifford_The Un-Heroic Act_Artist Talk_Sept. 26 2018. Ph Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Monika Fabijanska_The Un-Heroic Act_Gallery Tour_Oct. 3 2018. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Sonya Kelliher-Combs_The Un-Heroic Act_Gallery Tour_Oct. 3 2018. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Monika Fabijanska_The Un-Heroic Act_Gallery Tour_Oct. 3 2018. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Bill Pangburn_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Bill Pangburn_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - public programs - Katie Gentile_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - public programs - Monika Fabijanska_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Zubeida Agha, Sonya Kelliher-Combs, Bang Geul Han, Nancy Princenthal_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - public programs - Bang Geu Han, Nancy Princenthal_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Bang Geu Han, Nancy Princenthal_The Un-Heroic Act_Symposium_Oct. 3 2018_2. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Zubeida Agha of Guerrilla Girls__The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Zubeida Agha of Guerrilla Girls__The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - public programs - Guerrilla Girls_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - public programs - Natalie Frank, Carmen Hermo, Monika Fabijanska_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - public programs - Naima Ramos Chapman, Kathleen Gilje, Natalie Frank, Carmen Hermo, The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Monika Fabijanska</image:title>
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  </url>
  <url>
    <loc>https://www.monikafabijanska.com/publications-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-24</lastmod>
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      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “To Censor or To Teach: Educational Reflections on a Foundational Exhibition.” In: Gender Violence, Art, and the Viewer: An Intervention. Eds. Ellen Caldwell, Cynthia Colburn, and Ella Gonzalez. Pennsylvania State University Press, 2024. PURCHASE</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “To Censor or To Teach: Educational Reflections on a Foundational Exhibition.” In: Gender Violence, Art, and the Viewer: An Intervention. Eds. Ellen Caldwell, Cynthia Colburn, and Ella Gonzalez. Pennsylvania State University Press, 2024. PURCHASE</image:caption>
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      <image:caption>Fabijanska, Monika. “Bang Geul Han: Weaving Abortion Rights, Word by Word.” In: Transnational Visual Activism for Women’s Reproductive Rights: My Body, My Choice. Ed. Basia Sliwinska. Routledge, 2024. PURCHASE</image:caption>
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      <image:caption>Fabijanska, Monika, "Bang Geul Han" (interview). In: The Archive of Korean Artists in America. AHL Foundation, 2023. ORDER READ INTERVIEW</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Han, Bang Geul and Monika Fabijanska, Interview with Bang Geul Han In: Archive of Korean Artists in America online, AHL Foundation, May 13, 2023 READ</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1729613764169-A9NTCRD6ZT2CT5FXQ457/ASAP_front+and+back_cover_square.jpg</image:loc>
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      <image:caption>Dango, Michael and Monika Fabijanska. "Curating Art for Antirape and Ecofeminist Movements: A Conversation with Monika Fabijanska." In: ASAP/Journal, vol. 7 no. 3, 2022, p. 441-462. (The Association for the Study of the Arts of the Present, published by John Hopkins University Press) READ</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “Dana Kavelina: Giving Agency to Women Victims of War.” Independent art fair, New York, April 2023. READ</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. Women at War. Fridman Gallery, New York, 2022 (exhibition catalog with curatorial essay) PURCHASE</image:caption>
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      <image:caption>Fabijanska, Monika. “Olia Fedorova and Dana Kavelina by Monika Fabijanska. Two Ukrainian artists talk about making art during wartime, the importance of vulnerability, and who writes history.” In: BOMB, 161, Fall 2022, Sept. 15, 2022, p. 102-116. READ</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>van der Walt, Dineke and Monika Fabijanska. “Filling the Void in Contemporary Women’s Art History: An interview with Monika Fabijanska, the curator of The Un-Heroic Act.” In: Trauma-Informed Pedagogy: Addressing Gender-Based Violence in the Classroom. Eds. C. Skibba and J.E. Marshall. Emerald, 2022. PURCHASE</image:caption>
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      <image:caption>Fabijanska, Monika. “Turba Tol Hol-Hol Tol: The Chilean Pavilion at the 59th Venice Biennale.” In: The Brooklyn Rail, New York, June 2022. READ</image:caption>
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      <image:caption>Bang Geul Han and Monika Fabijanska, closing conversation for Han’s solo exhibition "If You Grind the Threshold of Three Other Houses." The Bronx Museum of the Arts online, May 13, 2022 WATCH</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Mazur, Adam and Monika Fabijanska. “Emergency Art History. Monika Fabijanska in Conversation.” In: BLOK, Warsaw, June 9, 2021. READ (Polish translation)</image:caption>
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      <image:caption>“Lynn Hershman Leeson with Monika Fabijanska &amp; Amelia Jones.” In: The Brooklyn Rail, NSE #374, Aug. 2021 WATCH</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika and Lynn Hershman Leeson. “In conversation: Lynn Hershman Leeson with Monika Fabijanska.” In: The Brooklyn Rail, Jul-Aug 2021, p. 16-21. READ</image:caption>
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      <image:caption>Fabijanska, Monika, A paper on black ecofeminism(s) as part of Environmental Activism - TFAP Ecofeminisms, The Feminist Art Project Day of Panels @CAA Annual Conference, Feb. 12, 2021</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “ecofeminism(s).” In: Artishock, Chile, July 19, 2020. READ</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “Against Our Will: Sexual Trauma in American Art Since 1970 by Vivien Green Fryd, Pennsylvania State University Press, 2019.” In: Women’s Art Journal, Spring/Summer 2020, vol. 41, no. 1, p. 52-53.</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “If There Have Always Been Great Women Artists, Where Do We Find Them?” In: LINEA, New York, Jan 28, 2020. READ</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1574138432225-G49BQTJ4TSLODUL3RDNF/DC+combined+as+jpg.jpeg</image:loc>
      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “Joan Jonas’s “Moving Off the Land II” at Ocean Space in Venice.” In: Degree Critical, New York, Nov. 15, 2019. READ</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1574388105059-3VAQ22FC89DKYKOP6WMV/4-12-Monika+Fabija%C5%84ska+%282%29_Page_1.png</image:loc>
      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “Moving Off the Land II, the installation of Joan Jonas in Venice. A story about ocean as the source of life and its role in culture.” In: Orońsko Sculpture Quarterly, Orońsko, Oct.-Dec. 2019.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1574388388819-9R09VLN8TQALAS1NZEL4/4-12-Monika+Fabija%C5%84ska+%282%29_Page_7.png</image:loc>
      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “Conversation with Joan Jonas.” In: Orońsko Sculpture Quarterly, Orońsko, Oct.-Dec. 2019.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1554762204389-ZJG70CJZHTFKZBYIKV05/br_Page_1.png</image:loc>
      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “In Conversation: Helene Aylon with Monika Fabijanska.” In: The Brooklyn Rail. New York, March 2019. READ</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1554762202504-6TZBEWNE9U53WX4VCHH3/The+Un-Heroic+Act_catalog_front+cover.jpg</image:loc>
      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. The Un-Heroic Act: Representations of Rape in Contemporary Women’s Art in the U.S. New York: Anya and Andrew Shiva Gallery, John Jay College CUNY, 2018. (exhibition catalog with curatorial essay) PURCHASE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1666188377098-BW7VJVMP3CSJWRLDEGAC/Kim+Levin+interview_Szum.PNG</image:loc>
      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “On Translating Cultures, Culture Wars, and Censorship. A Conversation with Kim Levin.” In: Magazyn Szum, Warsaw, Nov. 10, 2017. READ (scroll down for English)</image:caption>
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      <image:title>Publications</image:title>
      <image:caption>Fabijanska, Monika. “New York Conversations about Ryszard Wasko.” In: Magazyn Szum, Warsaw, June 23, 2017. READ (scroll down for English)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1554762194463-61WJLURQ8QKTZQ14POS8/Monika%2BFabijanska_Polyphony%2Bof%2BImages_cover%2B%281500x1484%29.jpg</image:loc>
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      <image:caption>Fabijanska, Monika. Polyphony of Images. New York: Polish Cultural Institute, 2006. (exhibition catalog)</image:caption>
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  </url>
  <url>
    <loc>https://www.monikafabijanska.com/ecofeminisms-images-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-07</lastmod>
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      <image:title>ecofeminisms - images gallery - Helène Aylon, The Earth Ambulance, 1982 (detail)</image:title>
      <image:caption>Inkjet pigment print, 11 x 8-1/2 in (sheet) ©Estate of Helène Aylon. Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590774471128-G6MM2TWEKW8YN76IUWCB/Helene+Aylon%2C+The+Earth+Ambulance%2C+1982.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Helène Aylon, The Earth Ambulance, 1982 (detail)</image:title>
      <image:caption>Inkjet pigment print, 11 x 8-1/2 in (sheet) ©Estate of Helène Aylon. Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591650103909-1IKRBHG7VZRP4RWTLYW1/IMG_1970.jpeg</image:loc>
      <image:title>ecofeminisms - images gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591650153148-6HIH7YMBBKZHQOFI2QT7/HA_EarthAmbulence-Text-01.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Helène Aylon, The Earth Ambulance, 1982 (detail)</image:title>
      <image:caption>Text panel, Inkjet pigment print, 11 x 8-1/2 in (sheet) ©Estate of Helène Aylon, Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744035180-SAR9Z6HXNRUWKPI6V89L/Andrea+Bowers%2C+Feminist+Spirituality+and+Magical+Politics+Scrapbook%2C+2003.jpeg</image:loc>
      <image:title>ecofeminisms - images gallery - Andrea Bowers, Feminist Spirituality and Magical Politics Scrapbook, 2003</image:title>
      <image:caption>Photocopy on paper, 33 1/4 x 42 3/4 in (84.5 x 108.5 cm) Courtesy of the artist and Andrew Kreps Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591737727574-SWGPGZABNIM0720KBHC4/Untitled+2.jpeg</image:loc>
      <image:title>ecofeminisms - images gallery - Andrea Bowers, Climate Change is Real (Multiple), 2017</image:title>
      <image:caption>Neon, MDO, paint, 20 3/4 x 57 in (52.7 x 144.8 cm). Edition 3 of 10, with 2 APs Courtesy of the artist and Andrew Kreps Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744037702-AWGYE1E7YDLFSXTRLGY1/Betsy+Damon%2C+The+Memory+of+Clean+Water%2C+1985_CASTING+A+DRY+RIVERBED+UTAH.png</image:loc>
      <image:title>ecofeminisms - images gallery - Betsy Damon, The Memory of Clean Water, 1985</image:title>
      <image:caption>©Betsy Damon. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591649711850-EDO26H8ZH6PKCBB20XW2/AD_RTB-Composite-RP_MR.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Agnes Denes, Rice/Tree/Burial: Preparations for the Rice Field with Irrigation System, 1977/2020</image:title>
      <image:caption>one of three ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 AP ©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591649730912-2GUQJAJ4869HPUQGBFHD/AD_RTB-Composite-TC_MR.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Agnes Denes, Rice/Tree/Burial: Chaining the Sacred Forest, 1977/2020</image:title>
      <image:caption>one of three ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 AP ©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591648825666-RR3SC2N1Y7UEGYPR6MEJ/image-asset.jpeg</image:loc>
      <image:title>ecofeminisms - images gallery - Agnes Denes, Rice/Tree/Burial: Burial of the Time Capsule, 1979/2020</image:title>
      <image:caption>one of three ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 AP ©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1597799673103-84Y4ESOO446OC9NQAYCS/all+the+way+to+hell+Eliza+EVANS.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Eliza Evans, All the Way to Hell, 2020 (detail)</image:title>
      <image:caption>Mixed media and mineral deed, size: 9 ft x 5 x 5 in and 11 x 8.5 in ©2020 Eliza Evans. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590798509365-7GZFSJZBN8W9SFJNP8ZG/Eliza+Evans%2C+All+the+Way+to+Hell%2C+2020-ongoing_Mineral+Deed.PNG</image:loc>
      <image:title>ecofeminisms - images gallery - Eliza Evans, All the Way to Hell, 2020-ongoing</image:title>
      <image:caption>Mineral rights, law, bureaucracy, size: 3 acres x 4,000 miles (depth). Edition: 1,000 mineral properties ©2020 Eliza Evans. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1597799425630-2WZUEA7L4V6WH8RLTL0J/Eliza+Evans%2C+All+the+Way+to+Hell%2C+2020.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Eliza Evans, All the Way to Hell, 2020-ongoing</image:title>
      <image:caption>Mineral rights, law, bureaucracy, size: 3 acres x 4,000 miles (depth). Edition: 1,000 mineral properties ©2020 Eliza Evans. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590774950442-PN2KFU8XK6JZIWXIOX6N/Bilge+Friedlaender%2C+Heart+Nests+III%2C+1977.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Bilge Friedlaender, Heart Nests III, 1977</image:title>
      <image:caption>Beeswax, wire, string, pigment, 10 x 7 x 3 in (25.4 x 17.78 x 7.62 cm) ©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744037257-E6QINQNGWA9XOD3PT5F4/Bilge+Friedlaender%2C+Cedar+Forest%2C+1989.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Bilge Friedlaender, Cedar Forest, 1989 (detail of the work)</image:title>
      <image:caption>Nine freestanding handmade linen paper sculptures, variable dims: 34 in. (86.36 cm) ©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744037989-9Q5NBSR11C9O0ZYTJ04Q/Bilge+Friedlaender%2C+Cedar+Forest%2C+1989_installed+in+nature.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Bilge Friedlaender, Cedar Forest, 1989 (installed in nature)</image:title>
      <image:caption>Nine freestanding handmade linen paper sculptures, variable dims: 34 in. (86.36 cm) ©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590775797112-DQL5BRQDTCN165801WUF/Lynn+Hershman+Leeson%2C+Twisted+Gravity%2C+2020.png</image:loc>
      <image:title>ecofeminisms - images gallery - Lynn Hershman Leeson, Twisted Gravity, 2020</image:title>
      <image:caption>Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable. Edition 3 + 1 AP Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses. Originally commissioned by Margot Norton, The New Museum ©Hotwire Productions LLC 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590776131529-UMP5UHVAFMYMG16FYLTQ/Lynn+Hershman+Leeson%2C+Twisted+Gravity%2C+2020%2C+3%2BTwisted+pedestal+schematic-aquapulse-2-1.png</image:loc>
      <image:title>ecofeminisms - images gallery - Lynn Hershman Leeson, Twisted Gravity, 2020</image:title>
      <image:caption>Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable. Edition 3 + 1 AP Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses. Originally commissioned by Margot Norton, The New Museum ©Hotwire Productions LLC 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590776022118-NR0SW52FXTQZIOUC0AMC/image-asset.jpeg</image:loc>
      <image:title>ecofeminisms - images gallery - Lynn Hershman Leeson, Twisted Gravity, 2020</image:title>
      <image:caption>Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable. Edition 3 + 1 AP Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses. Originally commissioned by Margot Norton, The New Museum ©Hotwire Productions LLC 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590776606239-KLWJKQ0P8IPRUVLN8JL1/Sonya+Kelliher-Combs%2C+Mark%2C+Polar+Bear%2C+2019%2C+Acrylic+polymer%2C+polar+bear+fur%2C+fabric+flag%2C+metal+brackets%2C+40+x+65+inches%2C+%23SKC10_small.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Sonya Kelliher-Combs, Mark, Polar Bear, 2019</image:title>
      <image:caption>Acrylic polymer, polar bear fur, fabric flag, metal brackets, 40 x 65 in ©2019 Sonya Kelliher-Combs. Courtesy of the artist and Minus Space</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590776371007-78AJ0GPN4IQWC8D15PAJ/Barbara+Kruger%2C+Untitled+%28We+Won%E2%80%99t+Play+Nature+to+Your+Culture%29%2C+1983.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Barbara Kruger, We Won’t Play Nature to Your Culture, 1983</image:title>
      <image:caption>Book cover, 11.82 x 8.27 x 0.2 in (30 x 21 x 0.5 cm) Softcover catalogue of the exhibition, Barbara Kruger: We Won’t Play Nature to Your Culture Authors: Barbara Kruger, Iwona Blazwick, Sandy Nairne, Craig Owens, Jane Weinstock Publishers: London: Institute of Contemporary Arts, Basel: Kunsthalle ©1983</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590774261904-0C3DD4T2IKSTTNAACF7S/Carla+Maldonado%2C+Dystopia+of+a+Jungle+City%2C+and+the+Human+of+Nature%2C+2019.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Carla Maldonado, Dystopia of a Jungle City, and the Human of Nature, 2019</image:title>
      <image:caption>Digital video with sound, 31 min. Edition of 3 + AC In collaboration with Cipiá Indigenous Community Center, Manaus, AM, Brazil ©2019 Carla Maldonado. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591720801227-YWHUWA4T68DPYS6N8XW7/image-asset.jpeg</image:loc>
      <image:title>ecofeminisms - images gallery - Mary Mattingly, Life of Objects, 2013</image:title>
      <image:caption>Archival Pigment Print, 30 x 30 in. Edition 5/5 ©Mary Mattingly. Courtesy of Robert Mann Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591720777156-CLZUIKC3F9B7GM5UONF9/Mary+Mattingly%2C+The+Damned+%28Titian%2C+again%29%2C+2013.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Mary Mattingly, The Damned (Titian, again), 2013</image:title>
      <image:caption>Archival Pigment Print, 30 x 30 in. Edition 2/5 ©Mary Mattingly. Courtesy of Robert Mann Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591720703772-2KRM0CI7GLVU5KL7NIEM/image-asset.jpeg</image:loc>
      <image:title>ecofeminisms - images gallery - Mary Mattingly, Microsphere: A Breathed Commune, 2012</image:title>
      <image:caption>Archival Pigment Print, 30 x 30 in. Edition 4/5 ©Mary Mattingly. Courtesy of Robert Mann Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591720746719-J61BWCECUS9ER8865T65/Mary+Mattingly%2C+Swale%2C+2017.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Mary Mattingly, Swale, 2017</image:title>
      <image:caption>Archival Pigment Print, 30 x 30 in. Edition 1/5 ©Mary Mattingly. Courtesy of Cloudfactory and Robert Mann Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744035094-7WLVWMU6M1XXMTC73KQ4/Ana+Mendieta%2C+Bacayu+%28Esculturas+Rupestres%29+%5BLight+of+Day+%28Rupestrian+Sculptures%29%5D%2C+1981-2019.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Ana Mendieta, Bacayu (Esculturas Rupestres) [Light of Day (Rupestrian Sculptures)], 1981/2019</image:title>
      <image:caption>Black and white photograph, 40 x 55 in (101.6 x 139.7 cm). Edition 2 of 3 with 2 AP © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong &amp; Co., Licensed by Artists Rights Society (ARS), New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744036498-WPS7JEQ536DTW1HK567H/Aviva+Rahmani%2C+Physical+Education%2C+1973.png</image:loc>
      <image:title>ecofeminisms - images gallery - Aviva Rahmani, Physical Education, 1973</image:title>
      <image:caption>Performance documentation: slide projection ©Aviva Rahmani. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744040538-NIPIGHSYB0DRQMVP31A8/Jessica+Segall%2C+Fugue+in+B+Flat%2C+2016.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Jessica Segall, Fugue in B Flat, 2016</image:title>
      <image:caption>piano, honeybees, audio, approx. 5' x 4' x 1' ©2016 Jessica Segall. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744039713-R57S1LK54O5KHNAQTRDG/Jessica+Segall%2C+A+Thirsty+Person%2C+Having+Found+a+Spring%2C+Stops+to+Drink%2C+Does+Not+Contemplate+Its+Beauty%2C+2011.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Jessica Segall, A Thirsty Person, Having Found a Spring, Stops to Drink, Does Not Contemplate Its Beauty, 2011</image:title>
      <image:caption>Performance / video still, Archival Print. Edition 3 and AP ©2011 Jessica Segall. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744038557-4V8BFL7S48I7DFK7HWW9/Hanae+Utamura%2C+Wiping+the+Sahara+Desert%2C+2010.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Hanae Utamura, Wiping the Sahara Desert, 2010</image:title>
      <image:caption>from Secret Performance Series, 2010-2013 HD Video, 2:04 min, Sahara Desert, Tunisia Edition of 3 + 1AP + 1EP ©2010 Hanae Utamura. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744034156-JLU2BG8I1KAVZ4LE3CO5/27957.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Cecilia Vicuña, Tres elementos (Precarios), 2014</image:title>
      <image:caption>Mixed media, 6.875 x 5.75 x 0.25 in (17.5 x 14.6 x 0.6 cm) Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744034326-WCY4Y3DCFDM0MW5XA1J9/27959.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Cecilia Vicuña, Bola de cable (Precarios), 2014</image:title>
      <image:caption>Mixed media, 5.75 x 6 x 4.675 in (14.6 x 15.2 x 11.9 cm) Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590740979267-96ENXH858I0AOWMRS60Z/27957.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - tytul</image:title>
      <image:caption>opis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744034568-QLJQWSKHPM0ZMK30UA3U/28463.jpg</image:loc>
      <image:title>ecofeminisms - images gallery - Cecilia Vicuña, Untitled (Precarios), Date tbd</image:title>
      <image:caption>Mixed media, 12 x 34.25 x 0.125 in (30.5 x 87 x 0.3 cm) Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.monikafabijanska.com/ecofeminisms-install-shots</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1593058367367-9IBR68Y53R5U1VGP0G6C/ecofeminism%28s%29_III_installation_for+www.jpg</image:loc>
      <image:title>ecofeminisms - install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, wall left to right: Andrea Bowers, Andrea Bowers, Helène Aylon, Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura; front: Jessica Segall, Lynn Hershman Leeson. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1593058367367-9IBR68Y53R5U1VGP0G6C/ecofeminism%28s%29_III_installation_for+www.jpg</image:loc>
      <image:title>ecofeminisms - install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, wall left to right: Andrea Bowers, Andrea Bowers, Helène Aylon, Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura; front: Jessica Segall, Lynn Hershman Leeson. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1593058366776-B02I6L81HREVK73LWZH2/ecofeminism%28s%29_I_installation_for+www.jpg</image:loc>
      <image:title>ecofeminisms - install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Andrea Bowers, Helène Aylon, Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura, Betsy Damon, and Aviva Rahmani. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1593058367086-JKP33CBKU0MRLPXBNC9H/ecofeminism%28s%29_II_installation_for+www.jpg</image:loc>
      <image:title>ecofeminisms - install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura, Betsy Damon, Aviva Rahmani, and Jessica Segall. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1593056266145-SAATTRTWSWGM7A8SIRIR/image-asset.jpeg</image:loc>
      <image:title>ecofeminisms - install shots</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1593058365877-GDNU7MFOWUJBO0I5ENC6/BetsyDamon_Memory_of_Clear_Water_1985_for+www.jpg</image:loc>
      <image:title>ecofeminisms - install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska: Betsy Damon, Memory of Clean Water (1985), Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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      <image:title>ecofeminisms - install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Mary Mattingly, Cecilia Vicuña, Ana Mendieta; sculpture: Bilge Friedlander. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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      <image:title>ecofeminisms - install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Carla Maldonado, Mary Mattingly, and Cecilia Vicuña; sculpture: Bilge Friedlander. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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  </url>
  <url>
    <loc>https://www.monikafabijanska.com/betsy-damon-images-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632940428355-66DEQD46LNWQQI3OMNXZ/image-asset.jpeg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Body Masks, 1976. Archival print ©Betsy Damon 1976/2021. Courtesy of the artist and Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632940428355-66DEQD46LNWQQI3OMNXZ/image-asset.jpeg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Body Masks, 1976. Archival print ©Betsy Damon 1976/2021. Courtesy of the artist and Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632940470728-OQV709YV51DHJUTTR8UC/BD_SCAN+37_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, 7,000 Year Old Woman, performance at Cayman Gallery, New York, March 21, 1977. Archival print ©Betsy Damon 1977/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632940450910-0S7OW3BG438B9HH3ONZY/BD_SCAN+04a.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, 7,000 Year Old Woman, performance on Prince Street, New York, May 21, 1977. Archival print ©Betsy Damon 1977/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633458892401-AC4XIW0M5M18IVCTY3T4/BD_SCAN+03_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, 7,000 Year Old Woman, performance on Prince Street, New York, May 21, 1977. Archival Print ©Betsy Damon 1977/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633458854119-O4UMXGSXX4C7707URA0X/BD_SCAN+11_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Blind Beggarwoman, performance in front of St. Patrick's Cathedral, New York, June 15, 1979. Archival Print ©Betsy Damon 1979/2021. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633458810057-EBOWL3B48F5AQHCRSY5V/BD_SCAN+09_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Blind Beggarwoman, performance in front of St. Patrick's Cathedral, New York, June 15, 1979. Archival Print ©Betsy Damon 1979/2021. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633458764800-7TP3QWT7I1PRWKE3D4LT/BD_SCAN+21_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival Print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
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      <image:title>Betsy Damon - images gallery - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632940475740-QX2HKYNU98AWY0TKQNXA/BD_SCAN+42_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632940457481-PGCZTAENTO9V3OR0ETUG/BD_SCAN+21_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632946201840-WMFSZCEYCT2N2GH5UNVM/BD_SCAN+07_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633459078454-EQO1ZGL06UO09CB1PFF2/BD_SCAN+32_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, What Do You Think About Knives?, performance at the University of Rhode Island Student Union, Kingston, RI, April 28, 1980. Archival Print ©Betsy Damon 1980/2021. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633459950841-RXCPLZDDUGVMZ9Q5DMPP/BD_SCAN+25_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, What Do You Think About Knives?, performance at The Great American Lesbian Art Show, Woman's Building, Los Angeles, May 3, 1980. Archival Print ©Betsy Damon 1980/2021. Courtesy the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632946234202-KTSFACVI1VEJWZ78DQIH/BD_SCAN+30.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, A Shrine for Everywoman, performance at the United Nations World Conference on Women, Nairobi, 1985. Archival Print ©Betsy Damon 1985/2021. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632946080008-UIIHCHU4XTVCRZPKXZ50/image-asset.jpeg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Meditation with Stones for the Survival of the Planet, performance in front of American Museum of Natural History New York, 1983. Archival Print ©Betsy Damon 1983/2021 Courtesy the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633459801483-0G5X9W07X3AG6WYSL3E3/image-asset.jpeg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Meditation with Stones for the Survival of the Planet, performance on West Broadway, New York, 1984. AP ©Betsy Damon 1984/2021. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1632940462882-NVCNE12N2M4LHK2J0E5X/BD_SCAN+35_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images gallery - Betsy Damon, Listen, Respect, Revere, performance at Brecht Forum, New York, 1986. Archival print ©Betsy Damon 1986/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
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      <image:title>Betsy Damon - images gallery - Betsy Damon, Listen, Respect, Revere, performance at Brecht Forum, New York, 1986. Archival Print ©Betsy Damon 1986/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.monikafabijanska.com/betsy-damon-installation-images-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-06-10</lastmod>
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  <url>
    <loc>https://www.monikafabijanska.com/women-at-war-images-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-07-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814736387-FV7AHYG680TT32EPFJRS/Yevgenia+Belorusets%2C+Victories+of+the+Defeated_5%2C+2014-1018.jpg</image:loc>
      <image:title>Women at War - images gallery - Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist</image:title>
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      <image:title>Women at War - images gallery - Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist</image:title>
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      <image:title>Women at War - images gallery - Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1656691717214-V7OU9G5ZZUM31F718M16/Oksana+Chepelyk%2C+Letter+from+Ukraine+%28Women+and+War+series%29%2C+2014.jpg</image:loc>
      <image:title>Women at War - images gallery - Oksana Chepelyk, Letter from Ukraine (Women and War series), 2014, HD, color, sound, 7:32 min ©Oksana Chepelyk. Courtesy of the artist</image:title>
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      <image:title>Women at War - images gallery - Olia Fedorova, Defense, 2017, photograph, 15.7 x 19.7 in ©Olia Fedorova. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654593242831-F4S6OVHY9JBRTZZII88C/Olia+Fedorova_Tablets+of+Rage.jpg</image:loc>
      <image:title>Women at War - images gallery - Olia Fedorova, May You Choke on My Soil from the series Tablets of Rage, 2022, text, felt pen on bed linens, 36 x 21, 35 x 20 in ©Olia Fedorova. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654593114234-XCQYWWW8LRMYH9MEBVTL/Alena+Grom_3.jpg</image:loc>
      <image:title>Women at War - images gallery - Alena Grom, Tamara with Her Brother. Mariinka, Donbas (Womb series), 2018, photograph, 11.8 x 17.7 in ©Alena Grom. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
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      <image:title>Women at War - images gallery - Alena Grom, Mother and Son. Mariinka, Donbas (Womb series), 2018, photograph, 11.8 x 17.7 in ©Alena Grom. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814799498-TYOLKSH8LSZG18TWUOGA/Alla+Horska+%281929-70%29%2C+Portrait+of+Ivan+Svitlychny%2C+1963_small.jpg</image:loc>
      <image:title>Women at War - images gallery - Alla Horska (1929-70), Portrait of Ivan Svitlychny, 1963, linocut, 28 x 15 in. Courtesy of the Ukrainian Museum in New York</image:title>
    </image:image>
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      <image:title>Women at War - images gallery - Zhanna Kadyrova, Palianytsia, 2022, mixed media installation ©Zhanna Kadyrova. Courtesy of the artist and Galeria Continua</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814651023-VAI6ZM782YB1ZK5PBOQH/Alevtina+Kakhidze%2C+Strawberry+Andreevna+%233%2C+2014.jpg</image:loc>
      <image:title>Women at War - images gallery - Alevtina Kakhidze, Strawberry Andreevna #3, 2014, ink drawing, 16.5 x 15 in © Alevtina Kakhidze. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
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      <image:title>Women at War - images gallery - Alevtina Kakhidze, Strawberry Andreevna #4, 2014, ink drawing, 16.5 x 15 in © Alevtina Kakhidze. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814685058-9FRJEFJI0SKSCPCHBWE7/Dana+Kavelina%2C+Letter+to+a+Turtledove%2C+2020_still+1.jpg</image:loc>
      <image:title>Women at War - images gallery - Dana Kavelina, a still from Letter to Turtledove, 2020, film, 20:55 min ©Dana Kavelina. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814865773-BPXTPPC2WJTQ8QPCO4VI/Dana+Kavelina%2C+nation+%28from+Latin+giving+birth%29+%28Exit+to+the+Blind+Spot+series%29%2C+2019.jpg</image:loc>
      <image:title>Women at War - images gallery - Dana Kavelina, nation (from Latin: giving birth) (Communications. Exit to the Blind Spot series), 2019, graphite and colored pencil on paper, 16.5 x 11.75 in ©Dana Kavelina. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814865469-DEIKQPWOPQY75R4V7BUO/Dana+Kavelina%2C+from+the+threads+of+silence+a+pullover+for+a+soldier+is+sewn+%28Exit+to+the+Blind+Spot+series%29%2C+2019.jpg</image:loc>
      <image:title>Women at War - images gallery - Dana Kavelina, from the threads of silence a pullover for a soldier is sewn (Communications. Exit to the Blind Spot series), 2019, graphite and colored pencil on paper, 12 x 10.25 in ©Dana Kavelina</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814909989-SQQ2HE0Y6DB8Q0ULCOOT/Lesia+Khomenko%2C+Max+in+the+Army%2C+2022.png</image:loc>
      <image:title>Women at War - images gallery - Lesia Khomenko, Max in the Army, 2022, oil on canvas, 84.5 x 57.5 in ©Lesia Khomenko. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654820862026-1UY6RHW471M3TZYJL7UR/Vlada+Ralko%2C+Drawing+No.+020%2C+2022_small.jpg</image:loc>
      <image:title>Women at War - images gallery - Vlada Ralko, Lviv Diary No. 020, 2022, ink and watercolor on paper, 11.5 x 8.5 in ©Vlada Ralko. Courtesy of Voloshyn Gallery and Fridman Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814957146-QH53QA25TY600JU2RACL/Vlada+Ralko%2C+Drawing+No.+078%2C+2022_small.jpg</image:loc>
      <image:title>Women at War - images gallery - Vlada Ralko, Lviv Diary No. 078, 2022, ink and watercolor on paper, 11.5 x 8.5 in ©Vlada Ralko. Courtesy of Voloshyn Gallery and Fridman Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814974733-DJRVTY10AFCAWOQ5TSLW/Anna+Scherbyna%2C+Semenivka+2016.+Psychiatric+Hospital%2C+2017%2C+%28Some+Landscapes+of+the+Left-bank+Ukraine+series%29_small.jpg</image:loc>
      <image:title>Women at War - images gallery - Anna Scherbyna, Semenivka 2016. Psychiatric Hospital, 2017 (Some Landscapes of the Left-bank Ukraine series), watercolor on paper, 2.3 x 3.9 in ©Anna Scherbyna. Courtesy of the artist &amp; The Naked Room</image:title>
    </image:image>
    <image:image>
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      <image:title>Women at War - images gallery - Kateryna Yermolaeva, Photo No. 2, 2017, photograph, 8.2 x 6.7 in ©Katerina Yermolaeva. Courtesy of the artist</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814907223-VSH5F5OBCEOI4T7U3WYG/Katerina+Yermolaeva%2C+Photo+No.+1%2C+2016.JPG</image:loc>
      <image:title>Women at War - images gallery - Kateryna Yermolaeva, Photo No. 1, 2016, photograph, 10.6 x 7 in ©Katerina Yermolaeva. Courtesy of the artist</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.monikafabijanska.com/women-at-war-installation-shots</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-09</lastmod>
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      <image:title>Women at War - installation shots</image:title>
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    <image:image>
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      <image:title>Women at War - installation shots</image:title>
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    <loc>https://www.monikafabijanska.com/monika-weiss-more-about-the-artist</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486658641331-X26T0NXBX3ZX224W2EPL/Monika+Weiss_White+Chalice_Ennoia_2004_Lehman+College+Art+Gallery+Exhibition+%281071x1200%29</image:loc>
      <image:title>more about the artist</image:title>
      <image:caption>Monika Weiss, White Chalice (Ennoia), 2004; polypropylene, fiberglass, water, video projection, sound, 39x39x50 in. © Monika Weiss 2004. Collection Asher Remy-Toledo, NYC</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486658760011-EKTKEA6VZQSGCK00CV85/Monika+Weiss_Kordyan+II_2005_small</image:loc>
      <image:title>more about the artist</image:title>
      <image:caption>Monika Weiss, Kordyan II, 2005; charcoal, graphite, pages from Juliusz Słowacki's ‘Pisma’ on rice paper, 38 x 72 in. © Monika Weiss 2005. Courtesy the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486658841734-OGCMY4KUQUOOREADPTQG/Monika+Weiss_Lethe+Room_2004</image:loc>
      <image:title>more about the artist</image:title>
      <image:caption>Monika Weiss, Lethe Room, 2004; limited edition photography, 30x50 in. (the series also contains sculpture: plaster, wood, metal, electric motor, paper) © Monika Weiss 2004. Courtesy the artist and CUNY Lehman College Art Gallery, New York</image:caption>
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      <image:title>more about the artist</image:title>
      <image:caption>Monika Weiss, Drawing Lethe, 2006; public project: canvas, charcoal, graphite, sound environment, the artist’s body, passersby. WFC Winter Garden, curated by The Drawing Center, New York © Monika Weiss 2006. Courtesy the artist</image:caption>
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      <image:title>more about the artist</image:title>
      <image:caption>Monika Weiss, Phlegethon-Milczenie, 2005; limited edition photography 30x50 in. (the series also contains installation: prewar German books and music, graphite, charcoal, the artist’s body, video projection, sound composition - in the collection of Cisneros Fontanals Art Foundation, Miami) © Monika Weiss 2005. Courtesy the artist</image:caption>
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      <image:title>more about the artist</image:title>
      <image:caption>Monika Weiss, Sustenazo (Lament II), 2012-2013; view of the solo exhibition at Museo de la Memoria y Los Derechos Humanos, Santiago, Chile © Monika Weiss 2012 .Collection Museo de la Memoria</image:caption>
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      <image:title>more about the artist</image:title>
      <image:caption>Monika Weiss, Bandages, 2013; collage: photographs from German prewar medical books, pages from Schiller's poetry editions, 21x11 in. each panel. © Monika Weiss 2015. Courtesy the artist</image:caption>
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    <lastmod>2018-10-01</lastmod>
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      <image:title>more about the artist</image:title>
      <image:caption>Maciej Toporowicz, Sangre Espanola, 2003, wine edition</image:caption>
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  <url>
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      <image:title>Monika Weiss Shrouds-Caluny</image:title>
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  <url>
    <loc>https://www.monikafabijanska.com/monika-weiss-available-works</loc>
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    <lastmod>2017-02-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486625116118-UB17YO835J8BE3SISHFU/WEISS_KORDYAN_2005.jpg</image:loc>
      <image:title>available works</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1465894316966-29B1F1FBS99IIY09XDJS/Monika+Weiss_Shrouds_Caluny_2012-13_SCENES.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1465894659729-WK5NDODLI34WATMQJDQD/Monika+Weiss%2C+Wrath+%28Canto+1%2C+Canto+2%2C+Canto+3%29%2C+2015_still.jpg</image:loc>
      <image:title>available works - WRATH</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1465895188221-UPFBRSJPGUOL0FVDUOXK/Monika+Weiss%2C+Two+Laments+%28Canto+3%29+Still+%232%2C+2015_small.jpg</image:loc>
      <image:title>available works - TWO LAMENTS</image:title>
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  <url>
    <loc>https://www.monikafabijanska.com/maciej-toporowicz-available-works</loc>
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    <lastmod>2017-03-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1489429791576-U9KIZT0TDDQTE1JR9WZM/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017</image:loc>
      <image:title>available works</image:title>
      <image:caption>Maciej Toporowicz, Serial Killers, 1993, a series of 42 unique gouache portraits in gouache on paper, 30 x 22 in. / 76 x 56 cm each, installation view at the SPRING/BREAK Art Show 2017 © Maciej Toporowicz 1993. Courtesy of the artist and Monika Fabijanska</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1489429896369-9U99VIP1885CTC4RLENP/MACIEJ+TOPOROWICZ_Serial+Killers_silkscreen+on+paper_1993</image:loc>
      <image:title>available works</image:title>
      <image:caption>Maciej Toporowicz, Serial Killers, 1993, an edition of 20 postage stamps sets, silkscreen on paper, 2 x 1.75 in. / 5 x 4.5 cm © Maciej Toporowicz 1993. Courtesy of the artist and Monika Fabijanska</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1485649861601-MXXXA70KNG4Y00GNL1H5/image-asset.jpeg</image:loc>
      <image:title>available works</image:title>
      <image:caption>Maciej Toporowicz, Donald, 2015, from the Disney Targets series, acrylic on canvas, 24 x 36 in. / 61 x 91.5 cm © Maciej Toporowicz. Courtesy of the artist</image:caption>
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  <url>
    <loc>https://www.monikafabijanska.com/monika-weiss-wrath</loc>
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    <lastmod>2016-06-17</lastmod>
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  <url>
    <loc>https://www.monikafabijanska.com/monika-weiss-full-biography</loc>
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    <lastmod>2017-03-20</lastmod>
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      <image:title>full biography</image:title>
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  <url>
    <loc>https://www.monikafabijanska.com/maciej-toporowicz-full-biography</loc>
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      <image:title>full biography</image:title>
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  <url>
    <loc>https://www.monikafabijanska.com/roya-amigh</loc>
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    <lastmod>2017-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486614487604-PNBMX8M4ACM7BAC3PALQ/Roya+Amigh_The+Coerced+contact</image:loc>
      <image:title>Roya Amigh</image:title>
      <image:caption>Roya Amigh, The Coerced Contact, 2016, paper, thread, pieces of cloth, and lace, 62 x 64 x 35 in, installation view at the Art OMI, Ghent, NY © Roya Amigh 2016. Courtesy of the artist and Art OMI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1505371356240-4NUZVTTNK104WAP67WXS/Hyperallergic+review+of+Roya+Amigh_How+to+Create+a+Butterfly.jpg</image:loc>
      <image:title>Roya Amigh</image:title>
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    <image:image>
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      <image:title>Roya Amigh</image:title>
      <image:caption>Roya Amigh, The Coerced Contact, 2016, detail © Roya Amigh 2016. Courtesy of the artist and Art OMI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486627261129-ZFAS28YRKT9D0X56KRWJ/Roya+Amigh_Empty+Space</image:loc>
      <image:title>Roya Amigh</image:title>
      <image:caption>Roya Amigh, Empty Space, 2016, paper, thread, pieces of cloth, and lace, 72 x 96 x 36 in, installation view at the Iron Tale Gallery, Lincoln, NE © Roya Amigh 2016. Courtesy of the artist and Iron Tale Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486627355687-FV0XAI0YLS13ISZLKYAC/Roya+amigh_Empty+Space_detail</image:loc>
      <image:title>Roya Amigh</image:title>
      <image:caption>Roya Amigh, Empty Space, 2017, detail© Roya Amigh 2017. Courtesy of the artist and Iron Tale Gallery</image:caption>
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  <url>
    <loc>https://www.monikafabijanska.com/roya-amigh-full-biography</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486622339762-X5UAS6XUMY1CEM2U24Q1/Roya+Amigh.jpg</image:loc>
      <image:title>full biography</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.monikafabijanska.com/roya-amigh-available-works</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1489878213283-Q660RWVW87OOPROREPO7/Roya+Amigh%2C+ChummyAffair%2C+2017%2C+thread+on+paper%2C+15+x+12+x+3+in.+%C2%A9+Roya+Amigh+2017.+Courtesy+of+the+artist_2.jpg</image:loc>
      <image:title>available works</image:title>
      <image:caption>Roya Amigh, ChummyAffair, 2017, thread on paper, 15 x 12 x 3 in. © Roya Amigh 2017. Courtesy of the artist CONTACT FOR PRICE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1489877653239-YECOYQ7FMX3FBVEXLEMM/Roya+Amigh%2C+Behind+the+Wall%2C+2016%2C+thread+on+paper%2C+8.5+x+8.5+x+0.5+in.+%C2%A9+Roya+Amigh+2017.+Courtesy+of+the+artist_2.jpg</image:loc>
      <image:title>available works</image:title>
      <image:caption>Roya Amigh, Behind the Wall, 2016, thread on paper, 8.5 x 8.5 x 0.5 in. © Roya Amigh 2016. Courtesy of the artist CONTACT FOR PRICE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1489877859675-3KYMTCNULOZQONOHH38W/Roya+Amigh_In+Solidarity.jpg</image:loc>
      <image:title>available works</image:title>
      <image:caption>Roya Amigh, In Solidarity, 2015, paper and thread, 18 x 20 in © Roya Amigh 2015. Courtesy of the artist CONTACT FOR PRICE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1489877132913-TDBKJSAXU38HEW2DRBUZ/Roya+Amigh_The+discussion+panel.jpg</image:loc>
      <image:title>available works</image:title>
      <image:caption>Roya Amigh, The Discussion Panel, 2017, paper and thread , 13 x 24 in © Roya Amigh 2017. Courtesy of the artist and Iron Tale Gallery CONTACT FOR PRICE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1489877382521-WIRQNYXTH7Y6H7HES1EQ/Roya+Amigh_The+Anonymous+Diary_9.5x13.jpg</image:loc>
      <image:title>available works</image:title>
      <image:caption>Roya Amigh, The Anonymous Diary, 2016, paper and thread, 9.5 x 13 in © Roya Amigh 2016. Courtesy of the artist CONTACT FOR PRICE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486629787246-A0MAAIJP363WBS55WUHQ/Roya+amigh_In+Solidarity_detail</image:loc>
      <image:title>available works</image:title>
      <image:caption>Roya Amigh, In Solidarity, 2015, detail © Roya Amigh 2015. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486615486460-C5L1ZRYMQQQZ2TXA3DUU/Roya+Amigh_Collision+Response_detail.jpg</image:loc>
      <image:title>available works</image:title>
      <image:caption>Roya Amigh, Collision Response, 2015, detail © Roya Amigh 2015. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1486615489071-5QFP723RQIQWA1HZ649V/Roya+Amigh_Collision+Response.jpg</image:loc>
      <image:title>available works</image:title>
      <image:caption>Roya Amigh, Collision Response, 2015, mixed media, 66 x 59 x 18 in  © Roya Amigh 2015. Courtesy of the artist CONTACT FOR PRICE</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.monikafabijanska.com/maciej-toporowicz-springbreak-art-show-2017</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1487835901170-T2V4YTK3HWBEA3HE81MQ/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017</image:loc>
      <image:title>SPRING/BREAK Art Show 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1487835952474-R4DJ12XNT2RLY6MYOP5C/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017</image:loc>
      <image:title>SPRING/BREAK Art Show 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1487835998512-SNUKGS1CB7UG5EG7BD2H/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017</image:loc>
      <image:title>SPRING/BREAK Art Show 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1487836019902-7BRTJO8BQH88HJ6OLWS1/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017</image:loc>
      <image:title>SPRING/BREAK Art Show 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1487836042242-AAFNX86UQLXJTJ877KCS/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017</image:loc>
      <image:title>SPRING/BREAK Art Show 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1487836116035-47HTPBFOI25KF41IUXWP/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017</image:loc>
      <image:title>SPRING/BREAK Art Show 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1487836063573-66YPLKTA9SATKAMGIMHO/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017</image:loc>
      <image:title>SPRING/BREAK Art Show 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1487836143755-0FFAAJ4FQIKA4D99T86D/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017_1</image:loc>
      <image:title>SPRING/BREAK Art Show 2017</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1487836079149-A9WHLTLQEAJOJ33GCCDR/Maciej+Toporowicz_Serial+Killers_SPRINGBREAK+Art+Show+NYC+2017</image:loc>
      <image:title>SPRING/BREAK Art Show 2017</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.monikafabijanska.com/recent-press</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/bf2542ff-afa1-4c98-ae63-c636b73a5e1b/WP+best+of+2022+composite+2.jpg</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/e7aca337-9333-47b3-868d-cce6533d83e8/IMG_8011.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/ef0b6c49-6ad9-4732-87d5-587acf740cf1/Washinton+Post.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/daf67964-21cf-4261-98a7-a2c9ec9608d6/New+Yorker.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/a30cfe47-a17f-458b-adf2-73264039efee/The+New+York+Times.jpg</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/24ceefc9-c746-45cf-85e9-9168814406a0/BOMB-161_fall-2022_single+pages_Kavelina+and+Fedorova_cover.jpg</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1f5d736d-7d39-4932-bada-cba4c492eec2/IMG_3473.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/858c7c35-fd00-42fd-b6f1-5fad148ed286/Frieze+composit+light+filter.jpg</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/acd1e736-5fdf-43e1-b74c-eaf216540010/Artnet+News.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/cfb39def-0b67-4658-a5e6-2c480f3af59d/Forbes_composite.jpg</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/0002c07b-b413-4c0a-99e6-2e41fc30d34e/Brooklyn+Rail_composite.jpg</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/048cbedd-858f-4c45-b6a5-34e46fecb6ab/IMG_3333.jpg</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/4e0f2190-a0d2-485c-941c-fb6dcb2a1fbe/TheArtNewspaper.JPG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/2af6bcd2-ebe7-4502-8f15-3e6962e6e55f/Musee.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/6841e4cc-1a16-4887-bd8b-deccf460ed5f/73174726-CA0A-4B2E-BD35-C7DD542119B4.JPG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/f3a95b79-715c-4ba5-9e6b-8d4ed0b489b2/NPR.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1af60710-818e-4ead-b783-aedcfee3a904/Hartford+Courant.jpg</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/644163ad-8804-4013-892e-a78cd2ee1ce1/WSHU+on+Women+at+War+at+Eastern.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/53dc9395-ca33-45a3-96af-37777a5873d7/Eastern+on+Women+at+War+at+Eastern.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/8a0a21f3-fab4-4956-b43d-2ff5bfe46127/IMG_9058.PNG</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/ebe86727-e6ef-4ec1-bc33-1bf04bb0e11f/Women+at+War_DC+press+for+www.jpg</image:loc>
      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>PRESS - Make it stand out</image:title>
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      <image:title>PRESS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>PRESS - Make it stand out</image:title>
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      <image:title>PRESS - Make it stand out</image:title>
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      <image:title>PRESS - Make it stand out</image:title>
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      <image:caption>Nicole Yang The following is placeholder text known as “lorem ipsum,” which is scrambled Latin used by designers to mimic real copy. Aliquam bibendum, turpis eu mattis iaculis, ex lorem mollis sem, ut sollicitudin risus orci quis tellus. Suspendisse nec congue purus. Donec eu est non lacus lacinia semper. Vivamus sit amet semper lacus, in mollis libero. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos.</image:caption>
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      <image:caption>Shirley Cho The following is placeholder text known as “lorem ipsum,” which is scrambled Latin used by designers to mimic real copy. Mauris id fermentum nulla. Aenean eu justo sed elit dignissim aliquam. Nulla lectus ante, consequat et ex eget, feugiat tincidunt metus. Donec eu est non lacus lacinia semper.</image:caption>
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      <image:caption>Louis Scott The following is placeholder text known as “lorem ipsum,” which is scrambled Latin used by designers to mimic real copy. Nullam sit amet nisi condimentum erat iaculis auctor. Sed a ligula quis sapien lacinia egestas. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec ac fringilla turpis.</image:caption>
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      <image:caption>Anthony Cho The following is placeholder text known as “lorem ipsum,” which is scrambled Latin used by designers to mimic real copy. In sit amet felis malesuada, feugiat purus eget, varius mi. Nullam sit amet nisi condimentum erat iaculis auctor. Nullam sit amet nisi condimentum erat iaculis auctor.</image:caption>
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      <image:caption>Donna Jones The following is placeholder text known as “lorem ipsum,” which is scrambled Latin used by designers to mimic real copy. Fusce at massa nec sapien auctor gravida in in tellus. Sed a ligula quis sapien lacinia egestas. Sed a ligula quis sapien lacinia egestas. Fusce at massa nec sapien auctor gravida in in tellus.</image:caption>
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      <image:caption>artnet: Editors’ Picks: 12 Things Not to Miss in New York’s Art World This Week, by Sarah Cascone, September 25, 2018</image:caption>
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      <image:caption>Gazeta Wyborcza (Poland): Afera Weinsteina: Sufit się trzyma, ale runął mur, by Katarzyna Kolenda-Zaleska, October 17, 2017</image:caption>
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      <image:caption>onet.pl (Poland): Wystąpić przeciwko Weinsteinowi to znaczy zaryzykować karierę, by Katarzyna Janowska, October 11, 2017</image:caption>
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      <image:caption>1_John Lennon and Yoko Ono, “RAPE,” 1968, color film, sound, 59’48 min © Yoko Ono. Courtesy of the artist</image:caption>
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      <image:caption>1_Yoko Ono’s score for “RAPE,” 1968 © Yoko Ono. Courtesy of the artist</image:caption>
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      <image:caption>2_Ana Mendieta, Rape Scene, 1973 (Estate print 2001), suite of five color photographs, 16 x 20 in. each. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong &amp; Co.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534527847925-ZAQ4W0TKVIQDEQTH281C/2_Ana+Mendieta%2C+Rape+Scene%2C+1973+%28Estate+print+2001%29%2C+one+of+five+color+photographs%2C+16+x+20+in.+each.+%C2%A9+The+Estate+of+Ana+Mendieta+Collection%2C+LLC.+Courtesy+Galerie+Lelong+%26+Co..jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>2_Ana Mendieta, Rape Scene, 1973 (Estate print 2001), one of five color photographs, 16 x 20 in. each. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong &amp; Co.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534527960473-8JPA1G1H9D15H8GZCZ99/3_Senga+Nengudi%2C+R.S.V.P+Revisited+-+Underwire%2C+19772004%2C+nylon+mesh%2C+metal+springs%2C+sand%2C+22+12+%C3%97+15+%C3%97+6+in+%C2%A919772004.+Senga+Nengudi.+Courtesy+of+Bernard+I.+Lumpkin+and+Carmine+D.+Boccuzzi.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>3_Senga Nengudi, R.S.V.P Revisited - Underwire, 19772004, nylon mesh, metal springs, sand, 22 12 × 15 × 6 in ©19772004. Senga Nengudi. Courtesy of Bernard I. Lumpkin and Carmine D. Boccuzzi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528232167-HJJW8DV9GS7PFMNW8OMS/4_Suzanne+Lacy%2C+Three+Weeks+in+May%2C+1977%2C+paper%2C+ink+%C2%A91977.+Suzanne+Lacy.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>4_Suzanne Lacy, Three Weeks in May, 1977, paper, ink ©1977. Suzanne Lacy. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528692867-UY23WPU0TCRW2LKK8A43/4_Suzanne+Lacy%2C+Three+Weeks+in+May%2C+1977%2C+paper%2C+ink+%C2%A91977.+Suzanne+Lacy.+Courtesy+of+the+artist_Page_1.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>4_Suzanne Lacy, Three Weeks in May, 1977, paper, ink ©1977. Suzanne Lacy. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528268256-UX5H4DRWCYY6HRO5KU6F/4_Suzanne+Lacy%2C+with+Melissa+Hoffman+and+Phranc%2C+Three+Weeks+in+May%2C+1977%2C+performance+documentation.+Photograph+by+Suzanne+Lacy.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>4_Suzanne Lacy, with Melissa Hoffman and Phranc, Three Weeks in May, 1977, performance documentation. Photograph by Suzanne Lacy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528708869-PKCUTLIOHTWPVH1DC1R1/5_Lynn+Hershman+Leeson%2C+Electronic+Diary+Part+III+First+Person+Plural%2C+1988%2C+video+%28color%2C+sound%29%2C+28+min+%C2%A9+Lynn+Hershman+Leeson.+Courtesy+of+the+artist+and+Bridget+Donahue%2C+NYC_Page_1.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>5_Lynn Hershman Leeson, Electronic Diary Part III First Person Plural, 1988, video (color, sound), 28 min © Lynn Hershman Leeson. Courtesy of the artist and Bridget Donahue, NYC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528335773-ZAXJ61ZSN8DRD90TIP9V/6_Carolee+Thea%2C+A+Sabine+Woman%2C+1991%2C+chicken+wire%2C+electrical+wire%2C+sockets%2C+bulbs%2C+sound%2C+dimensions+variable_detail+%C2%A91991-2018.+Carolee+Thea.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>6_Carolee Thea, A Sabine Woman, 1991, chicken wire, electrical wire, sockets, bulbs, sound, dimensions variable ©1991-2018. Carolee Thea. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528319902-I4PI5JRNZ5APN2T62YP2/6_Carolee+Thea%2C+A+Sabine+Woman%2C+1991%2C+chicken+wire%2C+electrical+wire%2C+sockets%2C+bulbs%2C+sound%2C+dimensions+variable%2C+detail+%C2%A91991-2018.+Carolee+Thea.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>6_Carolee Thea, A Sabine Woman, 1991, chicken wire, electrical wire, sockets, bulbs, sound, dimensions variable, detail ©1991-2018. Carolee Thea. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528352868-8VW13JROERECE8032G6L/7_Guerrilla+Girls%2C+If+You%E2%80%99re+Raped+You+Might+as+Well+Relax+and+Enjoy+It+Because+No+One+Will+Believe+You%2C+digital+print%2C+18+x+24+in+%C2%A9+1992.+Guerrilla+Girls.gif</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>7_Guerrilla Girls, If You’re Raped You Might as Well Relax and Enjoy It Because No One Will Believe You, digital print, 18 x 24 in © 1992. Guerrilla Girls</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528368229-VAIQMOQLJTDIZOLRP3W0/image-asset.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Jenny Holzer, Untitled (Selections from Lustmord), 1994, cibachrome prints: 14 double images 13 x 20 in., edition 14/20 © Jenny Holzer. Courtesy Artist Rights Society (ARS) and Cheim &amp; Read, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528388172-0WCB57PVKX1UAE4LV2MS/9_Kathleen+Gilje%2C+Susanna+and+the+Elders%2C+Restored+with+X-ray%2C+1998%2C+oil+on+canvas%2C+67.5+x+47.5+in%2C+and+X-ray%2C+67+x+47+in+%C2%A9+2018.+Kathleen+Gilje.+Courtesy+of+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>: Kathleen Gilje, Susanna and the Elders, Restored with X-ray, 1998, oil on canvas, 67.5 x 47.5 in, and X-ray, 67 x 47 in © 2018. Kathleen Gilje. Courtesy of artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528825449-R8IEFNSXOEXIOKZ3W7AK/9_Kathleen+Gilje%2C+Susanna+and+the+Elders%2C+Restored%2C+1998-2018%2C+X-ray+image+on+Arches+paper%2C+52.5+x+36.75+in.+%C2%A9+2018.+Kathleen+Gilje.+Courtesy+of+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Kathleen Gilje, Susanna and the Elders, Restored, 1998/2018, X-ray image on Arches paper, 52.5 x 36.75 in. © 2018. Kathleen Gilje. Courtesy of artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528845557-3EIOCMDWHXS0ZBJM8I16/10_Angela+Fraleigh%2C+lonelily+loomed+into+bone%2C+2011%2C+wig%2C+thistles+and+porcelain%2C+17.5+x+13+x+12+in.+%C2%A9+2011-2018.+Angela+Fraleigh.+Courtesy+of+the+Artist+and+Inman+Gallery.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Angela Fraleigh, lonelily loomed into bone, 2011, wig, thistles and porcelain, 17.5 x 13 x 12 in. © 2011/2018. Angela Fraleigh. Courtesy of the Artist and Inman Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528868255-4XLY3EHPYWUDJI04UFB3/11_Natalie+Frank%2C+Little+Red+Cap+II%2C+2011%2C+gouache+and+chalk+pastel+on+Arches+paper%2C+30+x+22+in.+%C2%A9+2011.+Natalie+Frank.+Courtesy+of+Mitch+and+Sandra+Sockett.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Natalie Frank, Little Red Cap II, 2011, gouache and chalk pastel on Arches paper, 30 x 22 in. © 2011. Natalie Frank. Courtesy of Mitch and Sandra Sockett</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528887912-UVH1SH97D0F93H2KLWFF/12_Jennifer+Karady%2C+Former+Specialist+Brittny+Gillespie%2C+139th+Military+Police+Company%2C+16th+MP+Brigade%2C+U.S.+Army%2C+veteran+of+Operation+Iraqi+Freedom%2C+with+Volunteers+of+Ame.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Jennifer Karady, Former Specialist Brittny Gillespie, 139th Military Police Company, 16th MP Brigade, U.S. Army, veteran of Operation Iraqi Freedom, with Volunteers of America-Los Angeles Battle Buddy Elizabeth Saucedo and friend Corey; Los Angeles, CA, from the series, Soldiers’ Stories from Iraq and Afghanistan, 2014, Chromogenic color print, 48 x 48 in. © 2014. Jennifer Karady. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528975142-X66Y6K5WXA2ZVEMPEZUY/13_Sonya+Kelliher-Combs%2C+Guarded+Secrets%2C+2015%2C+sheep+rawhide%2C+nylon+thread%2C+porcupine+quill%2C+archival+adhesive%2C+dims.+variable+%C2%A92015.+Sonya+Kelliher-Combs.+Courtesy+of+the+artist.jpg.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Sonya Kelliher-Combs, Guarded Secrets, 2015, sheep rawhide, nylon thread, porcupine quill, archival adhesive, dims. variable, ©2015. Sonya Kelliher-Combs. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534528995417-N7OV2YFIGHMSGVSJ467M/13_Sonya+Kelliher-Combs%2C+Guarded+Secrets%2C+2015%2C+sheep+rawhide%2C+nylon+thread%2C+porcupine+quill%2C+archival+adhesive%2C+dims.+variable%2C+detail+%C2%A92015.+Sonya+Kelliher-Combs.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Sonya Kelliher-Combs, Guarded Secrets, 2015, sheep rawhide, nylon thread, porcupine quill, archival adhesive, dims. variable, detail ©2015. Sonya Kelliher-Combs. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534529037885-FFKLPJ15OTSVZ38TD4V0/14_Andrea+Bowers%2C+Rape+Wrong+%28Anonymous+Protest%2C+Jefferson+County+Court+House%2C+Steubenville%2C+OH%2C+February+1%2C+2013%29%2C+2015%2C+colored+pencil+on+paper%2C+15+x+22.25+in.+Courtesy+of.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Andrea Bowers, Rape Wrong (Anonymous Protest, Jefferson County Court House, Steubenville, OH, February 1, 2013), 2015, colored pencil on paper, 15 x 22.25 in. Courtesy of the artist, Susanne Vielmetter Los Angeles Projects, and Andrew Kreps Gallery, New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534529057694-1DHLB4JDKAXKV60KCH2F/15_Ada+Trillo%2C+Claudia%2C+from+the+series+How+Did+I+Get+Here%2C+2015%2C+archival+pigment+print%2C+24+x+16+in.+%C2%A9+2015.+Ada+Trillo.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Ada Trillo, Claudia, from the series How Did I Get Here?, 2015, archival pigment print, 24 x 16 in. © 2015. Ada Trillo. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534529074981-FTWKJJROJYOY6WPEUIUT/16_Kara+Walker%2C+Untitled%2C+2016%2C+graphite+on+paper%2C+75+x+37.5+in.+%C2%A9+Kara+Walker.+Courtesy+of+the+artist+and+Sikkema+Jenkins+%26+Co.%2C+New+York.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Kara Walker, Untitled, 2016, graphite on paper, 75 x 37.5 in. © Kara Walker. Courtesy of the artist and Sikkema Jenkins &amp; Co., New York</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534529091854-BNPONBQ6LPJI2QG61YY0/17_Roya+Amigh%2C+The+Coerced+Contact%2C+2016%2C+thread%2C+paper%2C+pieces+of+cloth%2C+lace%2C+62+x+64+x+35+in.+%C2%A92016-2018.+Roya+Amigh.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Roya Amigh, The Coerced Contact, 2016, thread, paper, pieces of cloth, lace, 62 x 64 x 35 in. ©2016/2018. Roya Amigh. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534529109819-VVHTAGRASIUVNVADIKO2/image-asset.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Roya Amigh, The Coerced Contact, 2016, thread, paper, pieces of cloth, lace, 62 x 64 x 35 in., detail ©2016/2018. Roya Amigh. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534529132469-YXIQGSJL1G9KOV5XJH2C/18_Naima+Ramos-Chapman%2C+And+Nothing+Happened%2C+2016%2C+color+digital+film%2C+sound%2C+16+min+%C2%A92016.+Naima+Ramos-Chapman.+Produced+by+MVMT.+Courtesy+of+the+artist+.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Naima Ramos-Chapman, And Nothing Happened, 2016, color digital film, sound, 16 min ©2016. Naima Ramos-Chapman. Produced by MVMT. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534529147516-TE3GYQZTQF5IODST3JF6/19_Bang+Geul+Han%2C+Through+the+Gaps+between+My+Teeth%2C+2017%2C+generative+animation+%28custom+software%29%2C+charcoal+drawing+on+Stonehenge+paper%2C+72+x+48+in.%2C+approx.+60+hrs.+%C2%A92017.+Bang+Geul+Han.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Bang Geul Han, Through the Gaps between My Teeth, 2017, generative animation (custom software), charcoal drawing on Stonehenge paper, 72 x 48 in., approx. 60 hrs. ©2017. Bang Geul Han. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534529167452-ZFLP196SDD6XZPY8III4/20_Guerrilla+Girls+BroadBand%2C+%23GGBBCampus+%E2%80%93+Stonehill+College+Poster%2C+2015%2C+poster%2C+dims.+variable+%C2%A9+2015.+Guerrilla+Girls+BroadBand.+Courtesy+of+the+artists.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for the press 2</image:title>
      <image:caption>Guerrilla Girls BroadBand, #GGBBCampus – Stonehill College Poster, 2015, poster, dims. variable © 2015. Guerrilla Girls BroadBand. Courtesy of the artists NOTE: For The Un-Heroic Act, Guerrilla Girls BroadBand will realize a new poster with students of John Jay College of Criminal Justice CUNY</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.monikafabijanska.com/the-un-heroic-act-photos-for-press</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531513001-CG8NBMMWVPQM6K5S42Q5/1_Yoko+Ono%E2%80%99s+score+for+%E2%80%9CRAPE%2C%E2%80%9D+1968+%C2%A9+Yoko+Ono.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Yoko Ono’s score for “RAPE”, 1968 ©Yoko Ono. Courtesy of the artist</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531513036-AEES11HJGKSIRXHTK2IB/1_John+Lennon+and+Yoko+Ono%2C+%E2%80%9CRAPE%2C%E2%80%9D+1968%2C+color+film%2C+sound%2C+59%E2%80%9948+min+%C2%A9+Yoko+Ono.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - John Lennon and Yoko Ono, “RAPE”, 1968, color film, sound, 59’48 min ©Yoko Ono. Courtesy of the artist</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531513622-E7S6AWAVEBRY4WOT3OBE/2_Ana+Mendieta%2C+Rape+Scene%2C+1973+%28Estate+print+2001%29%2C+suite+of+five+color+photographs%2C+16+x+20+in.+each.+%C2%A9+The+Estate+of+Ana+Mendieta+Collection%2C+LLC.+Courtesy+Galerie+Lelong+%26+Co..jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Ana Mendieta, Rape Scene, 1973 (Estate print, 2001), suite of five color photographs, 16 x 20 in. each. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong &amp;amp; Co.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531513496-6Q8QUOMNWQL6BNW1DT77/2_Ana+Mendieta%2C+Rape+Scene%2C+1973+%28Estate+print+2001%29%2C+one+of+five+color+photographs%2C+16+x+20+in.+each.+%C2%A9+The+Estate+of+Ana+Mendieta+Collection%2C+LLC.+Courtesy+Galerie+Lelong+%26+Co..jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Ana Mendieta, Rape Scene, 1973 (Estate print, 2001), suite of five color photographs, 16 x 20 in. each. © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong &amp;amp; Co.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531514072-2KFFVB6CS8DN7SMSWX6V/3_Senga+Nengudi%2C+R.S.V.P+Revisited+-+Underwire%2C+19772004%2C+nylon+mesh%2C+metal+springs%2C+sand%2C+22+12+%C3%97+15+%C3%97+6+in+%C2%A919772004.+Senga+Nengudi.+Courtesy+of+Bernard+I.+Lumpkin+and+Carmine+D.+Boccuzzi.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Senga Nengudi, R.S.V.P. Revisited – Underwire, 1977/2004, nylon mesh, metal springs, sand, 22.5 × 15 × 6 in. ©1977/2004 Senga Nengudi. Courtesy of Bernard I. Lumpkin and Carmine D. Boccuzzi</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531514449-MWNZHEBXUTEAXCYUJTDL/4_Suzanne+Lacy%2C+Three+Weeks+in+May%2C+1977%2C+paper%2C+ink+%C2%A91977.+Suzanne+Lacy.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Suzanne Lacy, Three Weeks in May, 1977, paper, ink © 1977 Suzanne Lacy. Courtesy of the artist</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539678545656-ZVXX51TRDREE7XIWHVF4/Lacy_Suzanne_TWIM_1977_4_small.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Suzanne Lacy, Three Weeks in May, 1977, paper, ink, documentation of performance ©1977. Suzanne Lacy. Courtesy of the artist</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531515648-U4K2MZJOHFG0LXUARC26/4_Suzanne+Lacy%2C+with+Melissa+Hoffman+and+Phranc%2C+Three+Weeks+in+May%2C+1977%2C+performance+documentation.+Photograph+by+Suzanne+Lacy.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Suzanne Lacy, with Melissa Hoffman and Phranc, Three Weeks in May, 1977, performance documentation. Photograph by Suzanne Lacy</image:title>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531516231-LA9UDYXA6V2RBTWPKHH3/5_Lynn+Hershman+Leeson%2C+Electronic+Diary+Part+III+First+Person+Plural%2C+1988%2C+video+%28color%2C+sound%29%2C+28+min+%C2%A9+Lynn+Hershman+Leeson.+Courtesy+of+the+artist+and+Bridget+Donahue%2C+NYC_Page_1.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Lynn Hershman Leeson, Electronic Diary Part III: First Person Plural, 1988, video (color, sound), 28 min © Lynn Hershman Leeson. Courtesy of the artist and Bridget Donahue, NYC</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531517296-0SU2Q6TEAX1V1KXSQ5Q0/6_Carolee+Thea%2C+A+Sabine+Woman%2C+1991%2C+chicken+wire%2C+electrical+wire%2C+sockets%2C+bulbs%2C+sound%2C+dimensions+variable_detail+%C2%A91991-2018.+Carolee+Thea.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Carolee Thea, Sabine Woman, 1991, chicken wire, electrical wire, sockets, bulbs, sound, dimensions variable ©1991/2018 Carolee Thea. Courtesy of the artist</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531516868-LID3JK0BVVH0F1GKTLCH/6_Carolee+Thea%2C+A+Sabine+Woman%2C+1991%2C+chicken+wire%2C+electrical+wire%2C+sockets%2C+bulbs%2C+sound%2C+dimensions+variable%2C+detail+%C2%A91991-2018.+Carolee+Thea.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Carolee Thea, Sabine Woman, 1991, chicken wire, electrical wire, sockets, bulbs, sound, dimensions variable ©1991/2018 Carolee Thea. Courtesy of the artist</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531517414-LAMSGMGEP0D9D3618H36/7_Guerrilla+Girls%2C+If+You%E2%80%99re+Raped+You+Might+as+Well+Relax+and+Enjoy+It+Because+No+One+Will+Believe+You%2C+digital+print%2C+18+x+24+in+%C2%A9+1992.+Guerrilla+Girls.gif</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Guerrilla Girls, If You’re Raped You Might as Well Relax and Enjoy It Because No One Will Believe You, 1992, digital print, 18 x 24 in. ©1992 Guerrilla Girls</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1536151143326-ZNURESG3R41338LDQ3DX/S11_23_001_small.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Jenny Holzer, Untitled (Selections from Lustmord), 1994, cibachrome prints, 14 double images 13 x 20 in. © 2018 Jenny Holzer, member Artists Rights Society (ARS), NYC. Photo: Alan Richardson.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1536151142489-9QFRUM535TO3XVOSYDUZ/Lustmord_portfolio_09_small.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Jenny Holzer, Untitled (Selections from Lustmord), 1994, cibachrome prints, 14 double images 13 x 20 in. © 2018 Jenny Holzer, member Artists Rights Society (ARS), NYC. Photo: Alan Richardson.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1536151142574-SCWXUUDDL64OJ62VXNCX/Lustmord_portfolio_03_small.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Jenny Holzer, Untitled (Selections from Lustmord), 1994, cibachrome prints, 14 double images 13 x 20 in. © 2018 Jenny Holzer, member Artists Rights Society (ARS), NYC. Photo: Alan Richardson.</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531518257-C05MDEVKA9M2D7XTF6CW/9_Kathleen+Gilje%2C+Susanna+and+the+Elders%2C+Restored+with+X-ray%2C+1998%2C+oil+on+canvas%2C+67.5+x+47.5+in%2C+and+X-ray%2C+67+x+47+in+%C2%A9+2018.+Kathleen+Gilje.+Courtesy+of+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Kathleen Gilje, Susanna and the Elders, Restored with X-ray, 1998, oil on canvas, 67.5 x 47.5 in., and X-ray, 67 x 47 in. ©2018 Kathleen Gilje. Courtesy of the artist</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531518192-HTB5CZJUVY1Z1EU4J1DH/9_Kathleen+Gilje%2C+Susanna+and+the+Elders%2C+Restored%2C+1998-2018%2C+X-ray+image+on+Arches+paper%2C+52.5+x+36.75+in.+%C2%A9+2018.+Kathleen+Gilje.+Courtesy+of+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Kathleen Gilje, Susanna and the Elders, Restored, 1998/2018, X-ray image on Arches paper, 52.5 x 36.75 in. ©2018 Kathleen Gilje. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531519129-NMINWEQV50000D2P32Y7/10_Angela+Fraleigh%2C+lonelily+loomed+into+bone%2C+2011%2C+wig%2C+thistles+and+porcelain%2C+17.5+x+13+x+12+in.+%C2%A9+2011-2018.+Angela+Fraleigh.+Courtesy+of+the+Artist+and+Inman+Gallery.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Angela Fraleigh, lonelily loomed into bone, 2011, wig, thistles and porcelain, 17.5 x 13 x 12 in. ©2011/2018 Angela Fraleigh. Courtesy of the artist and Inman Gallery</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531519069-S4J9QR4GDYVSLWVTAFG9/11_Natalie+Frank%2C+Little+Red+Cap+II%2C+2011%2C+gouache+and+chalk+pastel+on+Arches+paper%2C+30+x+22+in.+%C2%A9+2011.+Natalie+Frank.+Courtesy+of+Mitch+and+Sandra+Sockett.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Natalie Frank, Little Red Cap II, 2011, gouache and chalk pastel on Arches paper, 30 x 22 in. ©2011 Natalie Frank. Courtesy of the artist and Mitchell and Sandy Sockett</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531519767-V8ORAE11B23Y9MJXYZKT/12_Jennifer+Karady%2C+Former+Specialist+Brittny+Gillespie%2C+139th+Military+Police+Company%2C+16th+MP+Brigade%2C+U.S.+Army%2C+veteran+of+Operation+Iraqi+Freedom%2C+with+Volunteers+of+Ame.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Jennifer Karady, Former Specialist Brittny Gillespie, 139th Military Police Company, 16th MP Brigade, U.S. Army..., chromogenic color print, 48 x 48 in. ©2014 Jennifer Karady. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531519612-58S274NQOSX62MNOU6ZQ/13_Sonya+Kelliher-Combs%2C+Guarded+Secrets%2C+2015%2C+sheep+rawhide%2C+nylon+thread%2C+porcupine+quill%2C+archival+adhesive%2C+dims.+variable+%C2%A92015.+Sonya+Kelliher-Combs.+Courtesy+of+the+artist.jpg.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Sonya Kelliher-Combs, Guarded Secrets, 2015, sheep rawhide, nylon thread, porcupine quills, archival adhesive, dims. variable ©2015 Sonya Kelliher-Combs. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531524590-LUGDF2RNVTTYTPBNUUXL/13_Sonya+Kelliher-Combs%2C+Guarded+Secrets%2C+2015%2C+sheep+rawhide%2C+nylon+thread%2C+porcupine+quill%2C+archival+adhesive%2C+dims.+variable%2C+detail+%C2%A92015.+Sonya+Kelliher-Combs.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Sonya Kelliher-Combs, Guarded Secrets, 2015, sheep rawhide, nylon thread, porcupine quills, archival adhesive, dims. variable ©2015 Sonya Kelliher-Combs. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531520639-ABR8ZZNBMNQWCRR2MO3B/14_Andrea+Bowers%2C+Rape+Wrong+%28Anonymous+Protest%2C+Jefferson+County+Court+House%2C+Steubenville%2C+OH%2C+February+1%2C+2013%29%2C+2015%2C+colored+pencil+on+paper%2C+15+x+22.25+in.+Courtesy+of.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Andrea Bowers, Rape Wrong (Anonymous Protest, Jefferson County Court House, Steubenville, OH, February 1, 2013), 2015, colored pencil on paper, 15 x 22.25 in. Courtesy of the</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531521430-HUIQL865YE5ENZ105355/15_Ada+Trillo%2C+Claudia%2C+from+the+series+How+Did+I+Get+Here%2C+2015%2C+archival+pigment+print%2C+24+x+16+in.+%C2%A9+2015.+Ada+Trillo.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Ada Trillo, Claudia, 2015, from the series How Did I Get Here?, archival pigment print, 24 x 16 in. ©2015 Ada Trillo. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531524765-5ZHJOJEPP6UO398FSC7D/16_Kara+Walker%2C+Untitled%2C+2016%2C+graphite+on+paper%2C+75+x+37.5+in.+%C2%A9+Kara+Walker.+Courtesy+of+the+artist+and+Sikkema+Jenkins+%26+Co.%2C+New+York.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Kara Walker, Untitled, 2016, graphite on paper, 75 x 37.5 in. ©Kara Walker. Courtesy of the artist and Sikkema Jenkins &amp;amp; Co., New York</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531527631-1NBQOSE3M78YB2SMT0JK/17_Roya+Amigh%2C+The+Coerced+Contact%2C+2016%2C+thread%2C+paper%2C+pieces+of+cloth%2C+lace%2C+62+x+64+x+35+in.+%C2%A92016-2018.+Roya+Amigh.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Roya Amigh, The Coerced Contact, 2016, thread, paper, pieces of cloth, lace, 62 x 64 x 35 in. ©2016/2018 Roya Amigh. Courtesy of the artist</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531529210-8CP7Y0KAB054OFWLLDRN/17_Roya+Amigh%2C+The+Coerced+Contact%2C+2016%2C+thread%2C+paper%2C+pieces+of+cloth%2C+lace%2C+62+x+64+x+35+in.%2C+detail+%C2%A92016-2018.+Roya+Amigh.+Courtesy+of+the+artist.jpg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Roya Amigh, The Coerced Contact, 2016, thread, paper, pieces of cloth, lace, 62 x 64 x 35 in., detail ©2016/2018 Roya Amigh. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1534531529205-SCRH8JVC6YFD2Y23WKFK/18_Naima+Ramos-Chapman%2C+And+Nothing+Happened%2C+2016%2C+color+digital+film%2C+sound%2C+16+min+%C2%A92016.+Naima+Ramos-Chapman.+Produced+by+MVMT.+Courtesy+of+the+artist+.jpeg</image:loc>
      <image:title>The Un-Heroic Act - photos for press - Naima Ramos-Chapman, And Nothing Happened, 2016, color digital film, sound, 16 min ©2016 Naima Ramos-Chapman. Produced by MVMT. Courtesy of the artist</image:title>
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    <image:image>
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      <image:title>The Un-Heroic Act - photos for press - Bang Geul Han, Through the Gaps between My Teeth, 2017, generative animation (custom software), charcoal drawing on Stonehenge paper, 72 x 48 in., 60 hours ©2017 Bang Geul Han. Courtesy of the artist</image:title>
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      <image:title>The Un-Heroic Act - photos for press - Guerrilla Girls BroadBand, #GGBBCampus – Stonehill College Poster, 2015, poster, dims. variable © 2015. Guerrilla Girls BroadBand. Courtesy of the artists</image:title>
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      <image:title>The Un-Heroic Act - opening photos - Monika Fabijanska, Bill Pangburn - director, Shiva Gallery. The Un-Heroic-Act opening. Photo Austin Pogrob</image:title>
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      <image:title>The Un-Heroic Act - opening photos - Guerrilla Girls_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - opening photos - Natalie Frank, Carmen Hermo, Monika Fabijanska_The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - opening photos - Naima Ramos Chapman, Kathleen Gilje, Natalie Frank, Carmen Hermo, The Un-Heroic Act_Symposium_Oct. 3 2018. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 1_John Jay College. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 2_Anya and Andrew Shiva Gallery, John Jay College. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 3_Shiva Gallery, John Jay College. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 4_Kathleen Gilje, Susanna and the Elders, Restored, 1998-2018, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 5_Kathleen Gilje, Susanna and the Elders, Restored, 1998-2018, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541568335-T5Q53ZBVZXEYKNBVGO5M/006_Kathleen+Gilje%2C+Susanna+and+the+Elders%2C+Restored%2C+1998-2018%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 6_Kathleen Gilje, Susanna and the Elders, Restored, 1998-2018, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541561068-PEDU4MV95G5QB7FLCMUR/007_Works+by+Kathleen+Gilje+and+Carolee+Thea%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 7_Works by Kathleen Gilje and Carolee Thea, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 8_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 9_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541577015-V9INPR8SD73C0KQ5HYRB/010_installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 10_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 11_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541583483-WSV9W3X309JG4CTJXMAZ/012_installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+XXXBill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 12_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo XXXBill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 13_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541589213-JYCCGOERKLZHDVD1UESA/013_installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 13a_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541589488-OIB4OW7MWCDKAE8P2GUK/014_Installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 14_Installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541594098-DUO2L5S8LSAZXP9G3MLM/015_installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 15_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541596696-DM9JKMGVM0C2MYGW9HDV/016_Suzanne+Lacy%2C+Three+Weeks+in+May%2C+1977-2014%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Jerzy+Warman.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 16_Suzanne Lacy, Three Weeks in May, 1977-2014, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Jerzy Warman</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 17_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541602087-M947E74PQRQHB5RPCH5F/018_installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 18_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541609965-OB7Z3HXK3JD8OW49YZFX/019_installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 19_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541606829-8J21H87I1598RG0V114J/020_Works+by+Jennifer+Karady+and+Senga+Nengudi%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 20_Works by Jennifer Karady and Senga Nengudi, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541612562-A7QTRD2DAH1AMTHDQNHH/021_Jennifer+Karady%2C+Former+Specialist+Brittny+Gillespie...%2C+2014%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 21_Jennifer Karady, Former Specialist Brittny Gillespie..., 2014, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539116073541-45E8X7M5JV56UDGLAJ16/IMG_7156.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 21a_Jennifer Karady, Former Specialist Brittny Gillespie..., 2014, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo M Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541619142-XVWDCFNCQWTOKFFIXLMC/022_Senga+Nengudi%2C+R.S.V.P.+Revisited+-+Underwire%2C+1977-2004%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 22_Senga Nengudi, R.S.V.P. Revisited - Underwire, 1977-2004, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541617710-8ZFHUZD16VB7DD2UUUNZ/023_Senga+Nengudi%2C+R.S.V.P.+Revisited+-+Underwire%2C+1977-2004%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 23_Senga Nengudi, R.S.V.P. Revisited - Underwire, 1977-2004, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 24_Installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541624351-HYD6VPPWN0ZOG2JTZ9FZ/025_Jenny+Holzer%2C+Untitled+%28Selections+from+Lustmord%29%2C+1994%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 25_Jenny Holzer, Untitled (Selections from Lustmord), 1994, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541628031-I2WHQ15AJ1HHTBVGTWIT/026_Jenny+Holzer%2C+Untitled+%28Selections+from+Lustmord%29%2C+1994%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 26_Jenny Holzer, Untitled (Selections from Lustmord), 1994, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541632768-9O4XDS5AQ3MVUMTU7QLM/027_Jenny+Holzer%2C+Untitled+%28Selections+from+Lustmord%29%2C+1994%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 27_Jenny Holzer, Untitled (Selections from Lustmord), 1994, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541632772-110XJGE3JRYK5OAS0SNT/028_Ana+Mendieta%2C+Rape+Scene%2C+1973%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 28_Ana Mendieta, Rape Scene, 1973, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541641389-S840LAK8UOZR52P6B1DG/029_Ana+Mendieta%2C+Rape+Scene%2C+1973%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 29_Ana Mendieta, Rape Scene, 1973, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541641389-UJH7282LFKOB003O79EO/030_Angela+Fraleigh%2C+lonelily+loomed+into+bone%2C+2011%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 30_Angela Fraleigh, lonelily loomed into bone, 2011, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541645895-O5WPW0J9GC5JFZIFQYY2/031_Angela+Fraleigh%2C+lonelily+loomed+into+bone%2C+2011%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 31_Angela Fraleigh, lonelily loomed into bone, 2011, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541651485-FLJYCE94SS66J7MUKL87/032_Angela+Fraleigh%2C+lonelily+loomed+into+bone%2C+2011%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 32_Angela Fraleigh, lonelily loomed into bone, 2011, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541651901-PBJH74JXKALEO3MNPKY8/033_Bang+Geul+Han%2C+Through+the+Gaps+between+My+Teeth%2C+2017%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 33_Bang Geul Han, Through the Gaps between My Teeth, 2017, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541657224-6CFQEUCJX8QOH8UGC711/034_Bang+Geul+Han%2C+Through+the+Gaps+between+My+Teeth%2C+2017%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 34_Bang Geul Han, Through the Gaps between My Teeth, 2017, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 35_Bang Geul Han, Through the Gaps between My Teeth, 2017, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541663449-WPHVCJJS37I8DO2MWVLE/036_Works+by+Bang+Geul+Han+and+Kara+Walker%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 36_Works by Bang Geul Han and Kara Walker, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541667483-CR65MK6SFND8URMZ3Y0G/037_Kara+Walker%2C+Untitled%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 37_Kara Walker, Untitled, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541676736-EXTR645Q517JSU5PO2ZG/038_Kara+Walker%2C+Untitled%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 38_Kara Walker, Untitled, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541678009-E0P7Q3OKZLDYDG79NXFA/039_Naima+Ramos+Chapman%2C+And+Nothing+Happened%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 39_Naima Ramos Chapman, And Nothing Happened, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541679306-N9GGHVRKTAT3AKPA9392/040_Naima+Ramos+Chapman%2C+And+Nothing+Happened%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Jerzy+Warman.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 40_Naima Ramos Chapman, And Nothing Happened, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Jerzy Warman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541684434-HE3XTVYRDZ7K5GQQ1CQN/041_Works+by+Lynn+Hershman%2C+Yoko+Ono+and+Ada+Trillo%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 41_Works by Lynn Hershman, Yoko Ono and Ada Trillo, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541688821-CG9AZ8O0NFRUNNEHSRU7/042_Ada+Trillo%2C+Claudia%2C+2015%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 42_Ada Trillo, Claudia, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541690364-J86U9USIKDWCO2NSBQNQ/043_Ada+Trillo%2C+Claudia%2C+2015%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 43_Ada Trillo, Claudia, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541693101-2TWFEN5CO64Z0MHAN51G/044_Works+by+Lynn+Hershman+Leeson+and+Yoko+Ono%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 44_Works by Lynn Hershman Leeson and Yoko Ono, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541698661-PJ0P5PJDBQ1UHY97CPAS/046_Lynn+Hershman+Leeson%2C+First+Person+Plural%2C+1988%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 46_Lynn Hershman Leeson, First Person Plural, 1988, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541700235-NRVOMM94K4KKS2BVBC6G/047_Lynn+Hershman+Leeson%2C+First+Person+Plural%2C+installation+view%2C+1988%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 47_Lynn Hershman Leeson, First Person Plural, installation view, 1988, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541701298-EGF3BB05W2LSTOLFDIG3/048_Roya+Amigh%2C+The+Coerced+Contact%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 48_Roya Amigh, The Coerced Contact, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541708855-PLDK10086X4A9R8QOP20/049_Roya+Amigh%2C+The+Coerced+Contact%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 49_Roya Amigh, The Coerced Contact, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541715481-N2TKJM58MH7OFTLPA1KX/050_Roya+Amigh%2C+The+Coerced+Contact%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Jerzy+Warman.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 50_Roya Amigh, The Coerced Contact, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Jerzy Warman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541711022-WYRAEN316SO3RJZZW7QE/051_Roya+Amigh%2C+The+Coerced+Contact%2C+2016%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 51_Roya Amigh, The Coerced Contact, 2016, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541715651-6XSC279HC86RXMJHFB1S/052_Sonya+Kelliher-Combs%2C+Guarded+Secrets%2C+2015%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 52_Sonya Kelliher-Combs, Guarded Secrets, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541717903-59XP0CC6T18GX1PRI41S/053_Sonya+Kelliher-Combs%2C+Guarded+Secrets%2C+2015%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Jerzy+Warman.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 53_Sonya Kelliher-Combs, Guarded Secrets, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Jerzy Warman</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541720418-6LRDDCI7MSP3DJMZ16DO/054_Sonya+Kelliher-Combs%2C+Guarded+Secrets%2C+2015%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 54_Sonya Kelliher-Combs, Guarded Secrets, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541725317-ZS99G726EWCM2E8F14B1/055_Sonya+Kelliher-Combs%2C+Guarded+Secrets%2C+2015%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 55_Sonya Kelliher-Combs, Guarded Secrets, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541723174-GHXMGYT9WC6R0FTN47YY/056_Andrea+Bowers%2C+Rape+Wrong%2C+2015%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 56_Andrea Bowers, Rape Wrong, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541733985-VL9P8JL5F8G4X75R231L/057_Andrea+Bowers%2C+Rape+Wrong%2C+2015%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 57_Andrea Bowers, Rape Wrong, 2015, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541727330-YI1PWWXJ2UPS8UR0SKSX/058_Guerrilla+Girls%2C+If+You%E2%80%99re+Raped%2C+1992%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska_2.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 58_Guerrilla Girls, If You’re Raped, 1992, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541731424-T4PWECFAYOWWKXC7ZLN8/059_installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 59_installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541737536-EJ37SBUCOGFJNKO21IMZ/060_Works+by+Sonya+Kelliher-Combs+and+Natalie+Frank%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 60_Works by Sonya Kelliher-Combs and Natalie Frank, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541741149-FD0PL0VCNIE3D33X49AX/061_Natalie+Frank%2C+Little+Red+Cap+II%2C+2011%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 61_Natalie Frank, Little Red Cap II, 2011, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541741145-IAH32VYO1IIU59VGY47H/062_Carolee+Thea%2C+Sabine+Woman%2C+1991%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska_2.jpg</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 62_Carolee Thea, Sabine Woman, 1991, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541747886-W0QFWA2ODJCHJWK6HKRH/063_Carolee+Thea%2C+Sabine+Woman%2C+1991%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Monika+Fabijanska.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 63_Carolee Thea, Sabine Woman, 1991, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1539541759024-C7CI237RZ49A1HZSJ5D2/064_Carolee+Thea%2C+Sabine+Woman%2C+1991%2C+installation+view%2C+The+Un-Heroic+Act%2C+Shiva+Gallery+JJC.+Photo+Bill+Pangburn.JPG</image:loc>
      <image:title>The Un-Heroic Act - installation shots - 64_Carolee Thea, Sabine Woman, 1991, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Bill Pangburn</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 65_Works by Carolee Thea, installation view, The Un-Heroic Act, Shiva Gallery JJC. Photo Monika Fabijanska</image:title>
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      <image:title>The Un-Heroic Act - installation shots - 66_The Un-Heroic Act, installation view. Photo Jerzy Warman</image:title>
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      <image:title>ecofeminism(s)</image:title>
      <image:caption>Jessica Segall, A Thirsty Person, Having Found a Spring, Stops to Drink, Does Not contemplate Its Beauty, 2011, performance/video still, archival print ©2011 Jessica Segall. Courtesy of the artist</image:caption>
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      <image:title>ecofeminism(s)</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, wall left to right: Andrea Bowers, Andrea Bowers, Helène Aylon, Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura; front: Jessica Segall, Lynn Hershman Leeson. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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      <image:title>ecofeminism(s)</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Andrea Bowers, Helène Aylon, Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura, Betsy Damon, and Aviva Rahmani. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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      <image:title>ecofeminism(s)</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura, Betsy Damon, Aviva Rahmani, and Jessica Segall. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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      <image:title>ecofeminism(s)</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska: Betsy Damon, Memory of Clean Water (1985), Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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      <image:title>ecofeminism(s)</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Mary Mattingly, Cecilia Vicuña, Ana Mendieta; sculpture: Bilge Friedlander. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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      <image:title>ecofeminism(s)</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Carla Maldonado, Mary Mattingly, and Cecilia Vicuña; sculpture: Bilge Friedlander. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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  <url>
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  <url>
    <loc>https://www.monikafabijanska.com/ecofeminisms-images</loc>
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    <lastmod>2020-06-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590774471128-G6MM2TWEKW8YN76IUWCB/Helene+Aylon%2C+The+Earth+Ambulance%2C+1982.jpg</image:loc>
      <image:title>ecofeminisms - images - Helène Aylon, The Earth Ambulance, 1982 (detail)</image:title>
      <image:caption>Inkjet pigment print, 11 x 8-1/2 in (sheet) ©Estate of Helène Aylon. Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591650153148-6HIH7YMBBKZHQOFI2QT7/HA_EarthAmbulence-Text-01.jpg</image:loc>
      <image:title>ecofeminisms - images - Helène Aylon, The Earth Ambulance, 1982 (detail)</image:title>
      <image:caption>Text panel, Inkjet pigment print, 11 x 8-1/2 in (sheet) ©Estate of Helène Aylon, Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744035180-SAR9Z6HXNRUWKPI6V89L/Andrea+Bowers%2C+Feminist+Spirituality+and+Magical+Politics+Scrapbook%2C+2003.jpeg</image:loc>
      <image:title>ecofeminisms - images - Andrea Bowers, Feminist Spirituality and Magical Politics Scrapbook, 2003</image:title>
      <image:caption>Photocopy on paper, 33 1/4 x 42 3/4 in (84.5 x 108.5 cm) Courtesy of the artist and Andrew Kreps Gallery</image:caption>
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      <image:title>ecofeminisms - images - Andrea Bowers, Climate Change is Real (Multiple), 2017</image:title>
      <image:caption>Neon, MDO, paint, 20 3/4 x 57 in (52.7 x 144.8 cm). Edition 3 of 10, with 2 APs Courtesy of the artist and Andrew Kreps Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744037702-AWGYE1E7YDLFSXTRLGY1/Betsy+Damon%2C+The+Memory+of+Clean+Water%2C+1985_CASTING+A+DRY+RIVERBED+UTAH.png</image:loc>
      <image:title>ecofeminisms - images - Betsy Damon, The Memory of Clean Water, 1985</image:title>
      <image:caption>©Betsy Damon. Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591649711850-EDO26H8ZH6PKCBB20XW2/AD_RTB-Composite-RP_MR.jpg</image:loc>
      <image:title>ecofeminisms - images - Agnes Denes, Rice/Tree/Burial: Preparations for the Rice Field with Irrigation System, 1977/2020</image:title>
      <image:caption>one of three ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 AP ©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591649730912-2GUQJAJ4869HPUQGBFHD/AD_RTB-Composite-TC_MR.jpg</image:loc>
      <image:title>ecofeminisms - images - Agnes Denes, Rice/Tree/Burial: Chaining the Sacred Forest, 1977/2020</image:title>
      <image:caption>one of three ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 AP ©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
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      <image:title>ecofeminisms - images - Agnes Denes, Rice/Tree/Burial: Burial of the Time Capsule, 1979/2020</image:title>
      <image:caption>one of three ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 AP ©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1597799673103-84Y4ESOO446OC9NQAYCS/all+the+way+to+hell+Eliza+EVANS.jpg</image:loc>
      <image:title>ecofeminisms - images - Eliza Evans, All the Way to Hell, 2020 (detail)</image:title>
      <image:caption>Mixed media and mineral deed, size: 9 ft x 5 x 5 in and 11 x 8.5 in ©2020 Eliza Evans. Courtesy of the artist</image:caption>
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      <image:title>ecofeminisms - images - Eliza Evans, All the Way to Hell, 2020-ongoing</image:title>
      <image:caption>Mineral rights, law, bureaucracy, size: 3 acres x 4,000 miles (depth). Edition: 1,000 mineral properties ©2020 Eliza Evans. Courtesy of the artist</image:caption>
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      <image:title>ecofeminisms - images - Eliza Evans, All the Way to Hell, 2020-ongoing</image:title>
      <image:caption>Mineral rights, law, bureaucracy, size: 3 acres x 4,000 miles (depth). Edition: 1,000 mineral properties ©2020 Eliza Evans. Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590774950442-PN2KFU8XK6JZIWXIOX6N/Bilge+Friedlaender%2C+Heart+Nests+III%2C+1977.jpg</image:loc>
      <image:title>ecofeminisms - images - Bilge Friedlaender, Heart Nests III, 1977</image:title>
      <image:caption>Beeswax, wire, string, pigment, 10 x 7 x 3 in (25.4 x 17.78 x 7.62 cm) ©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744037257-E6QINQNGWA9XOD3PT5F4/Bilge+Friedlaender%2C+Cedar+Forest%2C+1989.jpg</image:loc>
      <image:title>ecofeminisms - images - Bilge Friedlaender, Cedar Forest, 1989 (detail of the work)</image:title>
      <image:caption>Nine freestanding handmade linen paper sculptures, variable dims: 34 in. (86.36 cm) ©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744037989-9Q5NBSR11C9O0ZYTJ04Q/Bilge+Friedlaender%2C+Cedar+Forest%2C+1989_installed+in+nature.jpg</image:loc>
      <image:title>ecofeminisms - images - Bilge Friedlaender, Cedar Forest, 1989 (installed in nature)</image:title>
      <image:caption>Nine freestanding handmade linen paper sculptures, variable dims: 34 in. (86.36 cm) ©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590775797112-DQL5BRQDTCN165801WUF/Lynn+Hershman+Leeson%2C+Twisted+Gravity%2C+2020.png</image:loc>
      <image:title>ecofeminisms - images - Lynn Hershman Leeson, Twisted Gravity, 2020</image:title>
      <image:caption>Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable. Edition 3 + 1 AP Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses. Originally commissioned by Margot Norton, The New Museum ©Hotwire Productions LLC 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590776131529-UMP5UHVAFMYMG16FYLTQ/Lynn+Hershman+Leeson%2C+Twisted+Gravity%2C+2020%2C+3%2BTwisted+pedestal+schematic-aquapulse-2-1.png</image:loc>
      <image:title>ecofeminisms - images - Lynn Hershman Leeson, Twisted Gravity, 2020</image:title>
      <image:caption>Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable. Edition 3 + 1 AP Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses. Originally commissioned by Margot Norton, The New Museum ©Hotwire Productions LLC 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590776022118-NR0SW52FXTQZIOUC0AMC/image-asset.jpeg</image:loc>
      <image:title>ecofeminisms - images - Lynn Hershman Leeson, Twisted Gravity, 2020</image:title>
      <image:caption>Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable. Edition 3 + 1 AP Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses. Originally commissioned by Margot Norton, The New Museum ©Hotwire Productions LLC 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590776606239-KLWJKQ0P8IPRUVLN8JL1/Sonya+Kelliher-Combs%2C+Mark%2C+Polar+Bear%2C+2019%2C+Acrylic+polymer%2C+polar+bear+fur%2C+fabric+flag%2C+metal+brackets%2C+40+x+65+inches%2C+%23SKC10_small.jpg</image:loc>
      <image:title>ecofeminisms - images - Sonya Kelliher-Combs, Mark, Polar Bear, 2019</image:title>
      <image:caption>Acrylic polymer, polar bear fur, fabric flag, metal brackets, 40 x 65 in ©2019 Sonya Kelliher-Combs. Courtesy of the artist and Minus Space</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590776371007-78AJ0GPN4IQWC8D15PAJ/Barbara+Kruger%2C+Untitled+%28We+Won%E2%80%99t+Play+Nature+to+Your+Culture%29%2C+1983.jpg</image:loc>
      <image:title>ecofeminisms - images - Barbara Kruger, We Won’t Play Nature to Your Culture, 1983</image:title>
      <image:caption>Book cover, 11.82 x 8.27 x 0.2 in (30 x 21 x 0.5 cm) Softcover catalogue of the exhibition, Barbara Kruger: We Won’t Play Nature to Your Culture Authors: Barbara Kruger, Iwona Blazwick, Sandy Nairne, Craig Owens, Jane Weinstock Publishers: London: Institute of Contemporary Arts, Basel: Kunsthalle ©1983</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590774261904-0C3DD4T2IKSTTNAACF7S/Carla+Maldonado%2C+Dystopia+of+a+Jungle+City%2C+and+the+Human+of+Nature%2C+2019.jpg</image:loc>
      <image:title>ecofeminisms - images - Carla Maldonado, Dystopia of a Jungle City, and the Human of Nature, 2019</image:title>
      <image:caption>Digital video with sound, 31 min. Edition of 3 + AC In collaboration with Cipiá Indigenous Community Center, Manaus, AM, Brazil ©2019 Carla Maldonado. Courtesy of the artist</image:caption>
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      <image:title>ecofeminisms - images - Mary Mattingly, Life of Objects, 2013</image:title>
      <image:caption>Archival Pigment Print, 30 x 30 in. Edition 5/5 ©Mary Mattingly. Courtesy of Robert Mann Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591720777156-CLZUIKC3F9B7GM5UONF9/Mary+Mattingly%2C+The+Damned+%28Titian%2C+again%29%2C+2013.jpg</image:loc>
      <image:title>ecofeminisms - images - Mary Mattingly, The Damned (Titian, again), 2013</image:title>
      <image:caption>Archival Pigment Print, 30 x 30 in. Edition 2/5 ©Mary Mattingly. Courtesy of Robert Mann Gallery</image:caption>
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    <image:image>
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      <image:title>ecofeminisms - images - Mary Mattingly, Microsphere: A Breathed Commune, 2012</image:title>
      <image:caption>Archival Pigment Print, 30 x 30 in. Edition 4/5 ©Mary Mattingly. Courtesy of Robert Mann Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1591720746719-J61BWCECUS9ER8865T65/Mary+Mattingly%2C+Swale%2C+2017.jpg</image:loc>
      <image:title>ecofeminisms - images - Mary Mattingly, Swale, 2017</image:title>
      <image:caption>Archival Pigment Print, 30 x 30 in. Edition 1/5 ©Mary Mattingly. Courtesy of Cloudfactory and Robert Mann Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744035094-7WLVWMU6M1XXMTC73KQ4/Ana+Mendieta%2C+Bacayu+%28Esculturas+Rupestres%29+%5BLight+of+Day+%28Rupestrian+Sculptures%29%5D%2C+1981-2019.jpg</image:loc>
      <image:title>ecofeminisms - images - Ana Mendieta, Bacayu (Esculturas Rupestres) [Light of Day (Rupestrian Sculptures)], 1981/2019</image:title>
      <image:caption>Black and white photograph, 40 x 55 in (101.6 x 139.7 cm). Edition 2 of 3 with 2 AP © The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong &amp; Co., Licensed by Artists Rights Society (ARS), New York</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744036498-WPS7JEQ536DTW1HK567H/Aviva+Rahmani%2C+Physical+Education%2C+1973.png</image:loc>
      <image:title>ecofeminisms - images - Aviva Rahmani, Physical Education, 1973</image:title>
      <image:caption>Performance documentation: slide projection ©Aviva Rahmani. Courtesy of the artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744040538-NIPIGHSYB0DRQMVP31A8/Jessica+Segall%2C+Fugue+in+B+Flat%2C+2016.jpg</image:loc>
      <image:title>ecofeminisms - images - Jessica Segall, Fugue in B Flat, 2016</image:title>
      <image:caption>piano, honeybees, audio, approx. 5' x 4' x 1' ©2016 Jessica Segall. Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744039713-R57S1LK54O5KHNAQTRDG/Jessica+Segall%2C+A+Thirsty+Person%2C+Having+Found+a+Spring%2C+Stops+to+Drink%2C+Does+Not+Contemplate+Its+Beauty%2C+2011.jpg</image:loc>
      <image:title>ecofeminisms - images - Jessica Segall, A Thirsty Person, Having Found a Spring, Stops to Drink, Does Not Contemplate Its Beauty, 2011</image:title>
      <image:caption>Performance / video still, Archival Print. Edition 3 and AP ©2011 Jessica Segall. Courtesy of the artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744038557-4V8BFL7S48I7DFK7HWW9/Hanae+Utamura%2C+Wiping+the+Sahara+Desert%2C+2010.jpg</image:loc>
      <image:title>ecofeminisms - images - Hanae Utamura, Wiping the Sahara Desert, 2010</image:title>
      <image:caption>from Secret Performance Series, 2010-2013 HD Video, 2:04 min, Sahara Desert, Tunisia Edition of 3 + 1AP + 1EP ©2010 Hanae Utamura. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744034156-JLU2BG8I1KAVZ4LE3CO5/27957.jpg</image:loc>
      <image:title>ecofeminisms - images - Cecilia Vicuña, Tres elementos (Precarios), 2014</image:title>
      <image:caption>Mixed media, 6.875 x 5.75 x 0.25 in (17.5 x 14.6 x 0.6 cm) Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1590744034326-WCY4Y3DCFDM0MW5XA1J9/27959.jpg</image:loc>
      <image:title>ecofeminisms - images - Cecilia Vicuña, Bola de cable (Precarios), 2014</image:title>
      <image:caption>Mixed media, 5.75 x 6 x 4.675 in (14.6 x 15.2 x 11.9 cm) Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul</image:caption>
    </image:image>
    <image:image>
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      <image:title>ecofeminisms - images - Cecilia Vicuña, Untitled (Precarios), Date tbd</image:title>
      <image:caption>Mixed media, 12 x 34.25 x 0.125 in (30.5 x 87 x 0.3 cm) Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul</image:caption>
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  <url>
    <loc>https://www.monikafabijanska.com/ecofeminisms-list-of-artworks</loc>
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    <lastmod>2020-06-25</lastmod>
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      <image:title>ecofeminism - large install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, wall left to right: Andrea Bowers, Andrea Bowers, Helène Aylon, Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura; front: Jessica Segall, Lynn Hershman Leeson. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
    </image:image>
    <image:image>
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      <image:title>ecofeminism - large install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Andrea Bowers, Helène Aylon, Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura, Betsy Damon, and Aviva Rahmani. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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    <image:image>
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      <image:title>ecofeminism - large install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura, Betsy Damon, Aviva Rahmani, and Jessica Segall. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
    </image:image>
    <image:image>
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      <image:title>ecofeminism - large install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska: Betsy Damon, Memory of Clean Water (1985), Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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    <image:image>
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      <image:title>ecofeminism - large install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Mary Mattingly, Cecilia Vicuña, Ana Mendieta; sculpture: Bilge Friedlander. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
    </image:image>
    <image:image>
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      <image:title>ecofeminism - large install shots</image:title>
      <image:caption>Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Carla Maldonado, Mary Mattingly, and Cecilia Vicuña; sculpture: Bilge Friedlander. Thomas Erben Gallery, New York, June/July 2020 (photo: Andreas Vesterlund)</image:caption>
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  <url>
    <loc>https://www.monikafabijanska.com/ecofeminism-bios-public-program</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-08-18</lastmod>
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  <url>
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    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-28</lastmod>
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      <image:title>BETSY DAMON - Make it stand out</image:title>
      <image:caption>Betsy Damon, 7,000 Year Old Woman, performance at Cayman Gallery, New York, March 21, 1977. Archival print ©Betsy Damon 1977/2021. Courtesy of the artist</image:caption>
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    <image:image>
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      <image:title>BETSY DAMON - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>BETSY DAMON - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>BETSY DAMON - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>BETSY DAMON - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>BETSY DAMON</image:title>
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    <lastmod>2025-01-02</lastmod>
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    <priority>0.75</priority>
    <lastmod>2022-06-10</lastmod>
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      <image:title>Betsy Damon - images - Betsy Damon, Body Masks, 1976. Archival print ©Betsy Damon 1976/2021. Courtesy of the artist and Monika Fabijanska Contemporary Art Projects</image:title>
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    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, 7,000 Year Old Woman, performance at Cayman Gallery, New York, March 21, 1977. Archival print ©Betsy Damon 1977/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, 7,000 Year Old Woman, performance on Prince Street, New York, May 21, 1977. Archival print ©Betsy Damon 1977/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633458892401-AC4XIW0M5M18IVCTY3T4/BD_SCAN+03_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images - Betsy Damon, 7,000 Year Old Woman, performance on Prince Street, New York, May 21, 1977. Archival Print ©Betsy Damon 1977/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633458854119-O4UMXGSXX4C7707URA0X/BD_SCAN+11_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images - Betsy Damon, Blind Beggarwoman, performance in front of St. Patrick's Cathedral, New York, June 15, 1979. Archival Print ©Betsy Damon 1979/2021. Courtesy of the artist</image:title>
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      <image:title>Betsy Damon - images - Betsy Damon, Blind Beggarwoman, performance in front of St. Patrick's Cathedral, New York, June 15, 1979. Archival Print ©Betsy Damon 1979/2021. Courtesy of the artist</image:title>
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      <image:title>Betsy Damon - images - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival Print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
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    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, Blind Beggarwoman, performance on Wall Street, New York, October 18, 1979. Archival print ©Betsy Damon 1979/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633459078454-EQO1ZGL06UO09CB1PFF2/BD_SCAN+32_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images - Betsy Damon, What Do You Think About Knives?, performance at the University of Rhode Island Student Union, Kingston, RI, April 28, 1980. Archival Print ©Betsy Damon 1980/2021. Courtesy of the artist</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1633459950841-RXCPLZDDUGVMZ9Q5DMPP/BD_SCAN+25_for+website.jpg</image:loc>
      <image:title>Betsy Damon - images - Betsy Damon, What Do You Think About Knives?, performance at The Great American Lesbian Art Show, Woman's Building, Los Angeles, May 3, 1980. Archival Print ©Betsy Damon 1980/2021. Courtesy the artist</image:title>
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    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, A Shrine for Everywoman, performance at the United Nations World Conference on Women, Nairobi, 1985. Archival Print ©Betsy Damon 1985/2021. Courtesy of the artist</image:title>
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    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, Meditation with Stones for the Survival of the Planet, performance in front of American Museum of Natural History New York, 1983. Archival Print ©Betsy Damon 1983/2021 Courtesy the artist</image:title>
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    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, Meditation with Stones for the Survival of the Planet, performance on West Broadway, New York, 1984. AP ©Betsy Damon 1984/2021. Courtesy of the artist</image:title>
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      <image:title>Betsy Damon - images - Betsy Damon, Listen, Respect, Revere, performance at Brecht Forum, New York, 1986. Archival print ©Betsy Damon 1986/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
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    <image:image>
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      <image:title>Betsy Damon - images - Betsy Damon, Listen, Respect, Revere, performance at Brecht Forum, New York, 1986. Archival Print ©Betsy Damon 1986/2021. Courtesy of the artist &amp; Monika Fabijanska Contemporary Art Projects</image:title>
    </image:image>
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    <lastmod>2021-09-29</lastmod>
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      <image:title>Betsy Damon - about the artist - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
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    <loc>https://www.monikafabijanska.com/betsy-damon-installation-images</loc>
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      <image:title>Betsy Damon - installation images</image:title>
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      <image:title>Betsy Damon - installation images</image:title>
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      <image:title>Betsy Damon - installation images</image:title>
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      <image:title>Betsy Damon - installation images</image:title>
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      <image:title>Betsy Damon - installation images</image:title>
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      <image:title>Betsy Damon - installation images</image:title>
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      <image:title>Betsy Damon - installation images</image:title>
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      <image:title>Betsy Damon - installation images</image:title>
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  <url>
    <loc>https://www.monikafabijanska.com/women-at-war-images</loc>
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    <lastmod>2022-06-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814736387-FV7AHYG680TT32EPFJRS/Yevgenia+Belorusets%2C+Victories+of+the+Defeated_5%2C+2014-1018.jpg</image:loc>
      <image:title>Women at War - images - Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814736374-4ARO1CY4KZ891KZ2RB2G/Yevgenia+Belorusets%2C+Victories+of+the+Defeated_1%2C+2014-1018.jpg</image:loc>
      <image:title>Women at War - images - Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1656691717214-V7OU9G5ZZUM31F718M16/Oksana+Chepelyk%2C+Letter+from+Ukraine+%28Women+and+War+series%29%2C+2014.jpg</image:loc>
      <image:title>Women at War - images - Oksana Chepelyk, Letter from Ukraine (Women and War series), 2014, HD, color, sound, 7:32 min ©Oksana Chepelyk. Courtesy of the artist</image:title>
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    <image:image>
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      <image:title>Women at War - images - Olia Fedorova, Defense, 2017, photograph, 15.7 x 19.7 in ©Olia Fedorova. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654593242831-F4S6OVHY9JBRTZZII88C/Olia+Fedorova_Tablets+of+Rage.jpg</image:loc>
      <image:title>Women at War - images - Olia Fedorova, May You Choke on My Soil from the series Tablets of Rage, 2022, text, felt pen on bed linens, 36 x 21, 35 x 20 in ©Olia Fedorova. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654593114234-XCQYWWW8LRMYH9MEBVTL/Alena+Grom_3.jpg</image:loc>
      <image:title>Women at War - images - Alena Grom, Tamara with Her Brother. Mariinka, Donbas (Womb series), 2018, photograph, 11.8 x 17.7 in ©Alena Grom. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654593114410-J4E8JVB3MWPV5JI509HM/Alena+Grom_4.jpg</image:loc>
      <image:title>Women at War - images - Alena Grom, Mother and Son. Mariinka, Donbas (Womb series), 2018, photograph, 11.8 x 17.7 in ©Alena Grom. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814799498-TYOLKSH8LSZG18TWUOGA/Alla+Horska+%281929-70%29%2C+Portrait+of+Ivan+Svitlychny%2C+1963_small.jpg</image:loc>
      <image:title>Women at War - images - Alla Horska (1929-70), Portrait of Ivan Svitlychny, 1963, linocut, 28 x 15 in. Courtesy of the Ukrainian Museum in New York</image:title>
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    <image:image>
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      <image:title>Women at War - images - Zhanna Kadyrova, Palianytsia, 2022, mixed media installation ©Zhanna Kadyrova. Courtesy of the artist and Galeria Continua</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814651023-VAI6ZM782YB1ZK5PBOQH/Alevtina+Kakhidze%2C+Strawberry+Andreevna+%233%2C+2014.jpg</image:loc>
      <image:title>Women at War - images - Alevtina Kakhidze, Strawberry Andreevna #3, 2014, ink drawing, 16.5 x 15 in © Alevtina Kakhidze. Courtesy of the artist</image:title>
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    <image:image>
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      <image:title>Women at War - images - Alevtina Kakhidze, Strawberry Andreevna #4, 2014, ink drawing, 16.5 x 15 in © Alevtina Kakhidze. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814685058-9FRJEFJI0SKSCPCHBWE7/Dana+Kavelina%2C+Letter+to+a+Turtledove%2C+2020_still+1.jpg</image:loc>
      <image:title>Women at War - images - Dana Kavelina, a still from Letter to Turtledove, 2020, film, 20:55 min ©Dana Kavelina. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814865773-BPXTPPC2WJTQ8QPCO4VI/Dana+Kavelina%2C+nation+%28from+Latin+giving+birth%29+%28Exit+to+the+Blind+Spot+series%29%2C+2019.jpg</image:loc>
      <image:title>Women at War - images - Dana Kavelina, nation (from Latin: giving birth) (Communications. Exit to the Blind Spot series), 2019, graphite and colored pencil on paper, 16.5 x 11.75 in ©Dana Kavelina. Courtesy of the artist</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814865469-DEIKQPWOPQY75R4V7BUO/Dana+Kavelina%2C+from+the+threads+of+silence+a+pullover+for+a+soldier+is+sewn+%28Exit+to+the+Blind+Spot+series%29%2C+2019.jpg</image:loc>
      <image:title>Women at War - images - Dana Kavelina, from the threads of silence a pullover for a soldier is sewn (Communications. Exit to the Blind Spot series), 2019, graphite and colored pencil on paper, 12 x 10.25 in ©Dana Kavelina</image:title>
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      <image:title>Women at War - images - Lesia Khomenko, Max in the Army, 2022, oil on canvas, 84.5 x 57.5 in ©Lesia Khomenko. Courtesy of the artist</image:title>
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    <image:image>
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      <image:title>Women at War - images - Vlada Ralko, Lviv Diary No. 020, 2022, ink and watercolor on paper, 11.5 x 8.5 in ©Vlada Ralko. Courtesy of Voloshyn Gallery and Fridman Gallery</image:title>
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    <image:image>
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      <image:title>Women at War - images - Vlada Ralko, Lviv Diary No. 078, 2022, ink and watercolor on paper, 11.5 x 8.5 in ©Vlada Ralko. Courtesy of Voloshyn Gallery and Fridman Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5625930de4b0040b0962a009/1654814974733-DJRVTY10AFCAWOQ5TSLW/Anna+Scherbyna%2C+Semenivka+2016.+Psychiatric+Hospital%2C+2017%2C+%28Some+Landscapes+of+the+Left-bank+Ukraine+series%29_small.jpg</image:loc>
      <image:title>Women at War - images - Anna Scherbyna, Semenivka 2016. Psychiatric Hospital, 2017 (Some Landscapes of the Left-bank Ukraine series), watercolor on paper, 2.3 x 3.9 in ©Anna Scherbyna. Courtesy of the artist &amp; The Naked Room</image:title>
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    <image:image>
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      <image:title>Women at War - images - Kateryna Yermolaeva, Photo No. 2, 2017, photograph, 8.2 x 6.7 in ©Katerina Yermolaeva. Courtesy of the artist</image:title>
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    <image:image>
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      <image:title>Women at War - images - Kateryna Yermolaeva, Photo No. 1, 2016, photograph, 10.6 x 7 in ©Katerina Yermolaeva. Courtesy of the artist</image:title>
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    <lastmod>2022-07-14</lastmod>
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    <lastmod>2023-06-20</lastmod>
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      <image:title>who is afraid of feminist archives? - Make it stand out</image:title>
      <image:caption>Betsy Damon, 7,000 Year Old Woman, performance on Prince Street, New York, May 21, 1977/2021 (no. 2), black and white photograph, 16 x 20 in. Archival Print, 7 + 2 AP. Courtesy of the artist and Monika Fabijanska Contemporary Art Projects</image:caption>
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      <image:title>who is afraid of feminist archives? - Make it stand out</image:title>
      <image:caption>Dindga McCannon, The Power Behind My Voice, 2023, mixed media on wood panel, 14 x 11 x 2 in. Courtesy of the artist and Fridman Gallery</image:caption>
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      <image:title>who is afraid of feminist archives? - Make it stand out</image:title>
      <image:caption>Pat Lehman, Video Vitae, 1974, U-matic video, color, sound, 9 min. Courtesy of the artist</image:caption>
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      <image:caption>Joan Logue, Lucinda Childs from 30 Second Portraits: New York Artists, 1980-1983, analog video, color, stereo. Courtesy of the artist</image:caption>
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