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Monika Fabijanska

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Monika Fabijanska

  • About
  • WOMEN AT WAR
  • BETSY DAMON
  • Curatorial
    • THE UN-HEROIC ACT
    • ecofeminism(s)
    • who is afraid of feminist archives?
    • Other Projects
  • PUBLICATIONS
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  • Artists
    • Betsy Damon - portfolio
    • Roya Amigh
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Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist

Women at War - images gallery

Women at War - images gallery

Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist

Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist

Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist

Yevgenia Belorusets, Victories of the Defeated, 2014-2017, photographs and text ©Yevgenia Belorusets. Courtesy of the artist

Oksana Chepelyk, Letter from Ukraine (Women and War series), 2014, HD, color, sound, 7:32 min ©Oksana Chepelyk. Courtesy of the artist

Oksana Chepelyk, Letter from Ukraine (Women and War series), 2014, HD, color, sound, 7:32 min ©Oksana Chepelyk. Courtesy of the artist

Olia Fedorova, Defense, 2017, photograph, 15.7 x 19.7 in ©Olia Fedorova. Courtesy of the artist

Olia Fedorova, Defense, 2017, photograph, 15.7 x 19.7 in ©Olia Fedorova. Courtesy of the artist

Olia Fedorova, May You Choke on My Soil from the series Tablets of Rage, 2022, text, felt pen on bed linens, 36 x 21, 35 x 20 in ©Olia Fedorova. Courtesy of the artist

Olia Fedorova, May You Choke on My Soil from the series Tablets of Rage, 2022, text, felt pen on bed linens, 36 x 21, 35 x 20 in ©Olia Fedorova. Courtesy of the artist

Alena Grom, Tamara with Her Brother. Mariinka, Donbas (Womb series), 2018, photograph, 11.8 x 17.7 in ©Alena Grom. Courtesy of the artist

Alena Grom, Tamara with Her Brother. Mariinka, Donbas (Womb series), 2018, photograph, 11.8 x 17.7 in ©Alena Grom. Courtesy of the artist

Alena Grom, Mother and Son. Mariinka, Donbas (Womb series), 2018, photograph, 11.8 x 17.7 in ©Alena Grom. Courtesy of the artist

Alena Grom, Mother and Son. Mariinka, Donbas (Womb series), 2018, photograph, 11.8 x 17.7 in ©Alena Grom. Courtesy of the artist

Alla Horska (1929-70), Portrait of Ivan Svitlychny, 1963, linocut, 28 x 15 in. Courtesy of the Ukrainian Museum in New York

Alla Horska (1929-70), Portrait of Ivan Svitlychny, 1963, linocut, 28 x 15 in. Courtesy of the Ukrainian Museum in New York

Zhanna Kadyrova, Palianytsia, 2022, mixed media installation ©Zhanna Kadyrova. Courtesy of the artist and Galeria Continua

Zhanna Kadyrova, Palianytsia, 2022, mixed media installation ©Zhanna Kadyrova. Courtesy of the artist and Galeria Continua

Alevtina Kakhidze, Strawberry Andreevna #3, 2014, ink drawing, 16.5 x 15 in © Alevtina Kakhidze. Courtesy of the artist

Alevtina Kakhidze, Strawberry Andreevna #3, 2014, ink drawing, 16.5 x 15 in © Alevtina Kakhidze. Courtesy of the artist

Alevtina Kakhidze, Strawberry Andreevna #4, 2014, ink drawing, 16.5 x 15 in © Alevtina Kakhidze. Courtesy of the artist

Alevtina Kakhidze, Strawberry Andreevna #4, 2014, ink drawing, 16.5 x 15 in © Alevtina Kakhidze. Courtesy of the artist

Dana Kavelina, a still from Letter to Turtledove, 2020, film, 20:55 min ©Dana Kavelina. Courtesy of the artist

Dana Kavelina, a still from Letter to Turtledove, 2020, film, 20:55 min ©Dana Kavelina. Courtesy of the artist

Dana Kavelina, nation (from Latin: giving birth) (Communications. Exit to the Blind Spot series), 2019, graphite and colored pencil on paper, 16.5 x 11.75 in ©Dana Kavelina. Courtesy of the artist

Dana Kavelina, nation (from Latin: giving birth) (Communications. Exit to the Blind Spot series), 2019, graphite and colored pencil on paper, 16.5 x 11.75 in ©Dana Kavelina. Courtesy of the artist

Dana Kavelina, from the threads of silence a pullover for a soldier is sewn (Communications. Exit to the Blind Spot series), 2019, graphite and colored pencil on paper, 12 x 10.25 in ©Dana Kavelina

Dana Kavelina, from the threads of silence a pullover for a soldier is sewn (Communications. Exit to the Blind Spot series), 2019, graphite and colored pencil on paper, 12 x 10.25 in ©Dana Kavelina

Lesia Khomenko, Max in the Army, 2022, oil on canvas, 84.5 x 57.5 in ©Lesia Khomenko. Courtesy of the artist

Lesia Khomenko, Max in the Army, 2022, oil on canvas, 84.5 x 57.5 in ©Lesia Khomenko. Courtesy of the artist

Vlada Ralko, Lviv Diary No. 020, 2022, ink and watercolor on paper, 11.5 x 8.5 in ©Vlada Ralko. Courtesy of Voloshyn Gallery and Fridman Gallery

Vlada Ralko, Lviv Diary No. 020, 2022, ink and watercolor on paper, 11.5 x 8.5 in ©Vlada Ralko. Courtesy of Voloshyn Gallery and Fridman Gallery

Vlada Ralko, Lviv Diary No. 078, 2022, ink and watercolor on paper, 11.5 x 8.5 in ©Vlada Ralko. Courtesy of Voloshyn Gallery and Fridman Gallery

Vlada Ralko, Lviv Diary No. 078, 2022, ink and watercolor on paper, 11.5 x 8.5 in ©Vlada Ralko. Courtesy of Voloshyn Gallery and Fridman Gallery

Anna Scherbyna, Semenivka 2016. Psychiatric Hospital, 2017 (Some Landscapes of the Left-bank Ukraine series), watercolor on paper, 2.3 x 3.9 in ©Anna Scherbyna. Courtesy of the artist & The Naked Room

Anna Scherbyna, Semenivka 2016. Psychiatric Hospital, 2017 (Some Landscapes of the Left-bank Ukraine series), watercolor on paper, 2.3 x 3.9 in ©Anna Scherbyna. Courtesy of the artist & The Naked Room

Kateryna Yermolaeva, Photo No. 2, 2017, photograph, 8.2 x 6.7 in ©Katerina Yermolaeva. Courtesy of the artist

Kateryna Yermolaeva, Photo No. 2, 2017, photograph, 8.2 x 6.7 in ©Katerina Yermolaeva. Courtesy of the artist

Kateryna Yermolaeva, Photo No. 1, 2016, photograph, 10.6 x 7 in ©Katerina Yermolaeva. Courtesy of the artist

Kateryna Yermolaeva, Photo No. 1, 2016, photograph, 10.6 x 7 in ©Katerina Yermolaeva. Courtesy of the artist