ecofeminism(s)

LIST OF THE ARTWORKS IN THE EXHIBITION - with proper captions for the reproduction use

Helène Aylon (American, 1931-2020)
The Earth Ambulance, 1982
Text panel
Inkjet pigment print, 11 x 8-1/2 in (sheet)
©Estate of Helène Aylon, Courtesy Leslie Tonkonow Artworks + Projects

Helène Aylon (American, 1931-2020)
The Earth Ambulance, 1982
Top: First Rescued Earth, Livermore Weapons Laboratory, California, 1980
Bottom: The Earth Ambulance, 1982
Inkjet pigment print, 11 x 8-1/2 in (sheet)
©Estate of Helène Aylon, Courtesy Leslie Tonkonow Artworks + Projects

Andrea Bowers (American, b. 1965)
Feminist Spirituality and Magical Politics Scrapbook, 2003
Photocopy on paper, 33 1/4 x 42 3/4 in (84.5 x 108.5 cm)
Courtesy of the artist and Andrew Kreps Gallery

Andrea Bowers (American, b. 1965)
Climate Change is Real (Multiple), 2017
Neon, MDO, paint, 20 3/4 x 57 in (52.7 x 144.8 cm). Edition 3 of 10, with 2 APs
Courtesy of the artist and Andrew Kreps Gallery 

Betsy Damon (American, b. 1940)
The Memory of Clean Water, 1985
Mixed media: paper pulp, grass, minerals
©Betsy Damon. Courtesy of the artist

Agnes Denes (Hungarian-born American, b. 1931)
Rice/Tree/Burial: Preparations for the Rice Field with Irrigation System, 1977/2020; Chaining the Sacred Forest, 1977/2020; Burial of the Time Capsule, 1979/2020
3 ink jet pigment prints on Epson Ultrasmooth Fine Art Paper, 11-5/8 x 22 in (each sheet), 6 images @ 4-5-7/8 inches on each sheet. Edition 1/10 + 2 APs
©Agnes Denes. Courtesy Leslie Tonkonow Artworks + Projects

Eliza Evans (American)
All the Way to Hell, 2020-ongoing
Mineral rights, law, bureaucracy, dimensions: 3 acres x 4,000 miles (depth). Edition: 1,000 mineral properties
©2020 Eliza Evans. Courtesy of the artist

Eliza Evans (American)
All the Way to Hell, 2020
Mixed media and mineral deed, 9 ft x 5 x 5 in and 11 x 8.5 in
©2020 Eliza Evans. Courtesy of the artist

Bilge Friedlaender (Turkish American, 1934-2000)
Cedar Forest, 1989
Nine freestanding handmade linen paper sculptures, variable dims: 34 in. (86.36 cm)
©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender

Bilge Friedlaender (Turkish American, 1934-2000)
Heart Nests III, 1977
Beeswax, wire, string, pigment, 10 x 7 x 3 in (25.4 x 17.78 x 7.62 cm)
©Mira Friedlaender. All rights reserved. Courtesy The Estate of Bilge Friedlaender

Lynn Hershman Leeson (American, b. 1941)
Twisted Gravity, 2020
Photography, etched plastic, AquaPulse, LED lights, polluted water being filtered, electricity, GMO bacteria or waxworms, petri dishes, Plexiglas casing; size variable. Edition 3 + 1 AP
Lynn Hershman Leeson in collaboration with Dr. Thomas Huber, Technology Leader and Head of Antibody Research at Novartis Institute for BioMedical Research; Dr. Richard Novak, Senior Staff Engineer, Advanced Technology Team at Harvard University Wyss Institute for Biological-Inspired Engineering and Aqua Pulse Technology; Lab Team: Elizabeth Calamari, Martinez Flores, Manuel Ramses.Originally commissioned by Margot Norton, The New Museum
©Hotwire Productions LLC 2020

Sonya Kelliher-Combs (Native American, b. 1969)
Mark, Polar Bear, 2019
Acrylic polymer, polar bear fur, fabric flag, metal brackets, 40 x 65 in
©2019 Sonya Kelliher-Combs. Courtesy of the artist and Minus Space

Barbara Kruger (American, b. 1945)
Untitled (We Won’t Play Nature to Your Culture), 1983
Book cover, 11.82 x 8.27 x 0.2 in (30 x 21 x 0.5 cm)
Softcover catalogue of the exhibition, Barbara Kruger: We Won’t Play Nature to Your CultureAuthors: Barbara Kruger, Iwona Blazwick, Sandy Nairne, Craig Owens, Jane Weinstock
Publishers: London: Institute of Contemporary Arts, Basel: Kunsthalle ©1983

Carla Maldonado (Brasilian, b. 1986)
Dystopia of a Jungle City, and the Human of Nature, 2019
Digital video with sound, 31 min. Edition of 3 + AC
In collaboration with Cipiá Indigenous Community Center, Manaus, AM, Brazil
©2019 Carla Maldonado. Courtesy of the artist

Mary Mattingly (American, b. 1978)
Life of Objects, 2013
Archival Pigment Print, 30 x 30 in. Edition 5/5
©Mary Mattingly. Courtesy of Robert Mann Gallery

Mary Mattingly (American, b. 1978)
The Damned (Titian, again), 2013
Archival Pigment Print, 30 x 30 in. Edition 2/5
©Mary Mattingly. Courtesy of Robert Mann Gallery

Mary Mattingly (American, b. 1978)
Microsphere: A Breathed Commune, 2012
Archival Pigment Print, 30 x 30 in. Edition 4/5
©Mary Mattingly. Courtesy of Robert Mann Gallery

Mary Mattingly (American, b. 1978)
Swale, 2017
Archival Pigment Print, 30 x 30 in. Edition 1/5
©Mary Mattingly. Courtesy of Cloudfactory and Robert Mann Gallery

Ana Mendieta (Cuban American, 1948-1985)
Bacayu (Esculturas Rupestres) [Light of Day (Rupestrian Sculptures)], 1981 / 2019
Black and white photograph, 40 x 55 in (101.6 x 139.7 cm). Edition 2 of 3 with 2 AP
© The Estate of Ana Mendieta Collection, LLC. Courtesy Galerie Lelong & Co., Licensed by Artists Rights Society (ARS), New York

Aviva Rahmani (American, b. 1945)
Physical Education, 1973
Performance documentation: slide projection
©Aviva Rahmani. Courtesy of the artist

Jessica Segall (American)
Fugue in B Flat, 2016
piano, honeybees, audio, approx. 5' x 4' x 1'
©2016 Jessica Segall. Courtesy of the artist

Jessica Segall (American)
A Thirsty Person, Having Found a Spring, Stops to Drink, Does Not Contemplate Its Beauty, 2011
Performance / video still, Archival Print, size. Edition 3 and AP
©2011 Jessica Segall. Courtesy of the artist

Hanae Utamura (Japanese, b. 1980)
Secret Performance Series (a selection), 2010-2013
HD Video, 21:05 min. looped
Edition of 3 + 1AP + 1EP
©2010 Hanae Utamura. Courtesy of the artist
Wiping the Sahara Desert, 2010, 2:04 min, Sahara Desert, Tunisia
Casting the Wave, 2010, 1:53 min, Den Haag, The Netherlands
Splashing Water at Sahara Desert, 2010, 2:25 min, Sahara Desert, Tunisia
Scrubbing the Edge of Salt Lake, 2010, 1:53 min, Chott el Djerid, Tunisia
Red Line, 2011, 3:06 min, Dover, England
Wiping the Snow, 2011, 3:04 min, Haukijärvi, Finland
When a Line Becomes a Circle, 2013, 6:40 min, Baengnyeongdo Island, South Korea

Cecilia Vicuña (Chilean, b. 1948)
Tres elementos (Precarios), 2014
mixed media, 6.875 x 5.75 x 0.25 in (17.5 x 14.6 x 0.6 cm)
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul

Cecilia Vicuña (Chilean, b. 1948)
Bola de cable (Precarios), 2014
mixed media, 5.75 x 6 x 4.675 in (14.6 x 15.2 x 11.9 cm)
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul

Cecilia Vicuña (Chilean, b. 1948)
Untitled (Precarios), Date tbd
mixed media, 12 x 34.25 x 0.125 in (30.5 x 87 x 0.3 cm)
Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul